<?xml version="1.0" encoding="UTF-8"?>
<itemContainer xmlns="http://omeka.org/schemas/omeka-xml/v5" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://omeka.org/schemas/omeka-xml/v5 http://omeka.org/schemas/omeka-xml/v5/omeka-xml-5-0.xsd" uri="https://thurman.pitts.emory.edu/items/browse?output=omeka-xml&amp;sort_dir=a&amp;sort_field=Dublin+Core%2CCreator" accessDate="2026-11-06T13:09:31+00:00">
  <miscellaneousContainer>
    <pagination>
      <pageNumber>1</pageNumber>
      <perPage>10</perPage>
      <totalResults>351</totalResults>
    </pagination>
  </miscellaneousContainer>
  <item itemId="1281" public="1" featured="0">
    <fileContainer>
      <file fileId="1438">
        <src>https://thurman.pitts.emory.edu/files/original/1ea7391ebeffc3fc0a65baa1c806758e.mp3</src>
        <authentication>12e081f028979f1194827e6486c95fcf</authentication>
      </file>
      <file fileId="1440">
        <src>https://thurman.pitts.emory.edu/files/original/e5efa5f320debfac3eb56816ff8c914e.pdf</src>
        <authentication>7d6d9c11fc4386460cb4713a0562083a</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="53">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="23534">
                    <text>Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

Interview with Sue Bailey Thurman on "Presenting Albert
Schweitzer" with host Miriam Rogers, Side A (394-337_A)

Pitts Theology Library
Emory University

Norbert Ellerin: Welcome to another program in the series entitled: “Presenting Albert
Schweitzer.” This program is conducted by Mrs. Miriam Rogers of Brookline; and now, here is
Mrs. Rogers.

Miriam Rogers: Thank you Mr. Ellerin. Our guest this afternoon is Mrs. Howard Thurman. It is
needless to say that Mrs. Thurman would be expected to shine by the reflecting glory of her
husband, Dr. Howard Thurman, Dean of Boston University’s Marsh Chapel. But Mrs. Thurman
shines in her very own right also, in many different ways. We are delighted to have Mrs.
Thurman with us today and have been looking forward to this pleasure for a long time.

Mrs. Thurman has chosen a unique and oblique angle to tie in what she has in mind with a
program dedicated to Dr. Albert Schweitzer. But before we can properly start the program, I
must give you some background and bibliography of our guest, so you will understand how well
prepared is her education and activity for this subject.
Sue Bailey Thur-Thurman born in Arkansas, received two degrees from Oberlin College before
her marriage to Dr. Howard Thurman. Before coming to Boston, she was extremely busy in San
Francisco initiating and developing the Intercultural Workshop of the distinguished Fellowship
Church in that city. She was busy also [pause] with the YWCA. She founded and edited the
Aframerican Women’s Journal and traveled and lectured extensively in India, to mention just a
few things. Here in Boston, Mrs. Thurman continues her interest in the YWCA as chairman of
the [coughing in background] World Fellowship Committee. At Boston University, Mrs.
Thurman is chairman of the Hostess Committee for the international students, which incudes
much entertaining of these students at the home of Dean and Mrs. Howard Thurman. Their
residence is always unlocked and ready to welcome the students and their friends. [pause] Mrs.
Thurman is also a member of the board of the International Student Center in Cambridge. She is
Chairman of the International Student Program for the United Church Women of Boston. These
are just a few of the activities which show the broad scope and interest, which our distinguished
guest, and of the feminine gender for a change, will bring to you on our talk with her this
afternoon. Mrs. Thurman it is a pleasure to have you on this program.

Sue Bailey Thurman: Thank you Mrs. Rogers. It is a very great pleasure for me to be on this
program, a program which I consider a-a very important one making a distinctive contribution to
international understanding of all peoples, and particularly of the work that is being done by Dr.
Schweitzer at Lambaréné in French Equatorial Africa.

MR: Thank you, Mrs. Thurman. Because Dr. Schweitzer’s hospital is in Africa, we have had
many programs on African themes and interests. It is especially appropriate therefore, today, that
Mrs. Thurman has chosen to speak in part about two very fine people who came to these shores
as slaves. Mrs. Thurman I am happy to turn the microphone over to you.
[pause]

1

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

Pitts Theology Library
Emory University

SBT: Thank you Mrs. Rogers. It seems to me, um always um, to-to be an inspiring moment
when we can think about two such people, especially when we are considering countries being
new born today; and particularly the one that has just achieved its freedom, independence, and
privilege: Ghana formerly the Gold Coast of Africa. During the past week we have had occasion
to recall the beginnings of our own country, the United States, and remember with new
appreciation the several contributions that have been offered to this land from a variety of
sources, contributions that have come to be a part of our own developing life and thought. The
opening lines of our national drama, we should always remember, the opening lines of our
superb dream of democracy in America, were recited by many people. And we are very proud
that in America they represent people who come from many nationality, racial, and creedal
cultules [sp probably cultures]. Among the many are some whose contributions are not well
known, because they were made many years ago perhaps, made quietly inobstrusively [sic] in
remote sections, even before we thought of them as being a part of American life and thought
and action. The two that we will be considering vitally today lived in our own eighteenth-century
Boston; and they are Phillis Wheatley and Amos Fortune. Both of them came to Boston in slave
ships; they won their own freedom here and remained to become citizens of this country,
members of their community who spoke significantly in their respective ways to all America in
their century, as they speak to us in our century. And whose contributions may be said to have
given vast illumination to their time, in the-in the community of the world in which they lived
and had their being.

Who was Phillis Wheatley, and what are the fascinating facts about her that are stranger than any
fiction? Phillis Wheatley was a little African girl who at aged eight or nine was taken from her
native land and [sic] which according to some historians was located near Senegal. She was
brought to this country over the dreadful Middle Passage across the seas, arriving in Boston to be
sold at the slave market here. [nine-second pause with rustling papers] It is difficult for us to
think of a slave market in Boston, but um such was the case and-and for Phillis Wheatley, she
was fortunate to be met at the steamer and to be purchased by a Mrs. John Wheatley. Uh Mrs.
Wheatley seems to have been a very remarkable Boston woman who wanted Phillis Wheatley for
a personal servant, but more than that as a companion. Uh Mrs. uh Wheatley thus had uh some
idea of Phyllis Wheatley’s innate abilities when she glimpsed her um coming off the boat. Soon
Phyllis, who had latent talents of a remarkable variety, had become a member of one of the most
cultured literary families in Boston. In a short year and a half she had mastered the English
language completely, and could read the most difficult portions of Holy Writ. She would be
about aged eleven at this time. And by age of fourteen she was able to translate Ovid and she was
studying Pope’s Homer. She had become an ardent uh student of Pope and his poetry; and along
with this she was delving into astronomy, ancient and modern geography, and history, which
speaks very well for this little girl in the year 1758 or 9. About this time she had definitely
established herself as a little poet in the finest circles of Boston. The earliest attempts which have
been preserved to us being her uh acknowledgement of loyalty in a poem, which was felt, by
many of the Colony at that time, a poem addressed to George III because he had repealed the
Stamp Act. Of course this was some years before the revolutionary struggle had begun. This
poetry of hers was eighteenth-century poetry and therefore it carried the patterns of the day. It
was repressed and formal, but it represented the mind of a very young girl that recently come to
these shores. That’s an interesting thing about her and about the other young people of her day,

2

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

that they responded readily to what was going on in the social and civic life; and that she would
have the temerity to write a letter to George III in England is remarkable indeed.

Sewell is dead. Swift–pinioned fame thus cried. Sewell is dead.
Is Sewell dead, my trembling tongue replied,
Oh what a blessing in his flight denied
How oft for us the holy prophet prayed.
How oft to us the Word of Life conveyed.
By duty urged my mournful verse to close,
I for his tomb this epitaph compose.
MR: That’s lovely. Mrs. Thurman, how old would you think she was at this time?

Pitts Theology Library
Emory University

So it was, that the freedom in which she lived and moved and had her being, in the family of the
Wheatleys made it possible for her to extend her kind and thoughtful spirit in many directions. In
1769 she became a member of the Old South Meeting House, pastored at that time by Dr.
Sewell. It was upon the late uh latters death, a year after Phillis Wheatley had joined this church,
that she wrote the poem for his tombstone, which is again astounding for a little servant girl in
the fellowship of Old South Meeting House. This is a bit of the poem:

SBT: I think perhaps uh fifteen, [MR can be heard in agreeing in background] fourteen or fifteen.
MR: Yes.

SBT: She wrote um epitaphs for other friends at this age, um prominent people who were in this
Wheatley circle. They were formal and serious, but they were written in appreciation of people,
who could create a Phillis Wheatley in this new free land. I think that should be said here in
commendation of the society in which she moved at the time.

MR: [beginning while SBT is finishing sentence] That they could appreciate her, it-its hard to
believe when you read the, when you say the date, 1769, these people who had slaves could give
one s-so much freedom and could appreciate the quality of her mind and spirit.

SBT: Well the insight perhaps of early New Englanders, and they and only they I would think
could-could create and-and br-bring to life here, um the Phillis Wheatley whom we have come to
honor uh on this occasion. She was very fortunate coming to Boston, I think, instead of to
Charleston or Atlanta. She addressed herself to the important events of her day always preparing
unconsciously for more remarkable opportunities, which were to come to her later.

In 1773 she was given a trip to England by this gracious mistress Mrs. Wheatley, who was now
her patron. In England, she was presented by the Countess Huntington to the drawing rooms of
London, and here again it is well to note the year, 1773. The little African girl who had become
the little American girl, the Bostonian Phillis Wheatley, is taken back across the Atlantic and-and
uh back across a very different-different passage it must have been this time, to be presented in
the drawing rooms of London. It was early in the next year upon her return to Boston that her
collection, while imposing one it was for that time [sic], was published and called “Poems of

3

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

Various Subjects, Religious and Moral” by [MR clears throat] Phillis Wheatley. In the Boston
Gazette for January 24th, 1774 appeared an advertisement: “This day published, adorned with
elegant engraving of the author, poems by Phillis Wheatley sold by Cox and Perry at their store
on Kings Street.”

Pitts Theology Library
Emory University

MR: Very sweet; very old-fashioned and formal, yes?
SBT: Before coming back to America- and incidentally she did rush home suddenly because
Mrs. Wheatley, gravely ill, wanted to see her before she passed on- Phillis was presented a gift
from the Lord Mirror of London: a leather-bound copy of Milton’s Paradise Lost, uh which was
a very high tribute to her as she returned to literary, a literary future of very great promise in her
own land. Because her moment of highest honor was yet to come. In 1775, du-during the Siege
of Boston, George Washington had his Revolutionary army headquarters stationed in
Cambridge, Phillis wrote a letter to the distinguished soldier enclosing a poem of high tribute and
was thus the first to refer to him as first in peace. Her poem was printed in the American monthly
museum periodical at the time and the words “first in peace” appear in the opening lines. The
poem begins:
Thee, first in peace and honor
We demand the grace and glory of thy martial hand.
Famed for thy valor, for thy virtues more,
Hear every tongue thy guardian and implore
[Brief Pause]

MR: This is very lovely. Uh I read it before-fore we went on the air and I also read uh George
Washington’s reply to this poem, which I think is lovely. Could you read that for us please, Mrs.
Thurman?

SBT: It’s a much longer poem, but um I-I have just read the first four lines where she speaks of
him as first in peace and honor. Um this poem, and the uh accompanying letter, uh George
Washington re-received and uh sent a reply on the date of February the 2nd, 1776 and he begins
his letter, “Miss Phillis, your favor of the 26th of October did not reach my hand til the middle of
December. Time enough, you say, to have given an answer ere this. Granted, but a variety of
important occurrences, continually interposing to distract the mind and to withdraw the attention,
I hope, will apologize for the delay, and plead my excuse for the seeming, but not real, neglect. I
thank you most sincerely for your polite notice of me, in the elegant lines you enclosed; and
however un-undeserving I may be of such encomium, the style and manner exhibit a striking
proof of your poetical talents. In honor of which, and as a tribute justly due you, I would have
published the poem, had I not been apprehensive that while I only meant to give the world this
new instance of your genius, I might have incurred the imputation of vanity. This and nothing
else determined me not to give it place in the public prints. If you should ever come to
Cambridge, or near headquarters, I shall be happy to see a person so favored by the Muses, and
to whom nature has been so liberal and beneficent in her dispensations.” It is signed “I am with
great respect, your obedient humbled servant, George Washington”

4

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

MR: Very impressive and he wrote beautiful prose himself, didn’t-don’t you think so Mrs.
Thurman or do you suppose a secretary wrote that? I don’t think so, no.

MR: Were you going to read the names of these people?

Pitts Theology Library
Emory University

SBT: [Starting at the end of MR’s sentence] Well. I-I think he wrote it himself. Its very much
like-like [MR laughing in background] the letters that uh we find that he has addressed to other
people. That he took time uh-uh during those-those crowded hours to [MR says “imagine” in
background and clears throat] respond to Phillis Wheatley is an amazing insight into the
character of George Washington. [Pause] It is um, a rather formal and stilted uh prose, however,
but it is the eighteenth century, which we must remember even when we think of Phillis
Wheatley and all of the poems that she wrote at that time, against the background of the
eighteenth century and the style and pattern of that day. Sometime after this, Phillis accepted the
invitation that had been extended her by George Washington to visit his headquarters in
Cambridge, and she was received with great courtesy by General Washington and his officers. It
was to be expected I suppose, that um many skeptics of that day would doubt if the young
Boston Negro girl were really the author of many of her poems and communications. Of the
many that were signed by her, and uh th-there were those who considered uh, they may have
been written by someone else because it was very difficult for them to accept her genius.
Because of this, her collection of poems had to carry m-after a time the following voucher, which
is very interesting indeed.

SBT: Yes. “We whose names,” uh this is the voucher “We whose names are underwritten do
assure the world, that the poems specified in the following page, as we verily believe were
written by Phyllis, a young Negro girl. She has been examined by some of the best judges and
thought qualified to write them.” The signatures here are, they begin with, His Excellency
Governor Thomas Hutchinson; Honorable Harrison Gray; Honorable James Pitts; Honorable
John Hancock; Reverend Samuel Cooper; Reverend Samuel Mather.
MR: Well, very fine names indeed in American history.

SBT: After this she was to write a poem to [clears throat] the men of Harvard, which said in
closing “improve your privileges while ye stay, ye pupils, and each hour redeems that hears a
good or bad report of you to Heaven. Let sin that baneful evil to the soul by you be shunned nor
once remit your guard. Suppress the deadly serpent in its egg. Ye bleeming[sp]-blooming plants
of human race divine, an Ethiop tells you ‘tis your greatest foe its transient sweetness turns to
endless pain and in immense perdition sinks the soul.”

I don’t know how many Harvard men saw that poem [MR laughs] or knew that it had been
written to them. Incidentally, Phillis Wheatley was a very pious girl and she would dare to take a
subject like this and address such a poem to men of Harvard. I suppose she heard a lot about
them and the other students around New England at the time. If she were living today, she would
write the poem many times over again perhaps.
MR: I think it would be very useful indeed.

5

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

SBT: I think it would, even for our students today. This edition of her poetry is located on
Harvard’s campus in the library there, one of the few places where it can be found. There may be
another copy at Vassar College, but it’s very hard to find them anywhere. They have become
collector’s items of course. Many people are looking around in old bookstores to find this first
edition of Phillis Wheatley’s poems.

Pitts Theology Library
Emory University

Now, it is a sadder story to tell of her closing days. The story of Phillis Wheatly is the story of a
sensitive woman who could not make the journey all the way through life with se-sensitive
friends surrounding her. The Wheatleys had passed on and aft-after the Revolutionary War,
conditions were serious in and around Boston. It was not easy to find work to do; food and
rations were scarce. It was a Boston that would follow any war, and particularly this one. With
the death of the Wheatleys, uh Phillis was without support and of course she could not earn her
board and keep by writing poems, and at this time she considered it would be um the proper
thing to be married. So in the year 1778, she married a man, a ne’er-do-well who made many
promises it seems. He was impressive to look at; he carried along pretensions of being qualified
for many things. He was a baker, storekeeper, lawyer, doctor, and Phillis was unfortunate in herin her selection of this man, but it is one of the things which go to make this interesting and
eventful life of hers. The marriage was not successful. In broken health, she spent her last days in
a part of the city, um where she was trying to carry on some work in an atmosphere of a boarding
house. Here she took in people to room and board, but um her health was broken very soon from
having lost two children and dying the day the third was born. She comes to the end of her days
here, destitute, deserted by a man who sold her treasured gifts of books and valuables in payment
of his debts. Mr. Peters was his name, um he it was who sold the copy of Paradise Lost which
the Lord Mirror of London had given her, and so we won’t find that copy again as Mr. Peters has
done away with that.
MR: Well, um, seems that such a delicate person of mind and spirit would not be realistic
enough or strong enough to cope with a Mr. Peters- seems to happen that way, don’t you think
so?

SBT: I’m afraid it does. A few days after her death in 177-84, there appeared this notice in the
Boston Independent Chronicle: “Last Lord’s day died Mrs. Phillis Peters, formerly Phillis
Wheatley age 31, known to the literary world by her celebrated miscellaneous poems. Her
funeral is to be this afternoon at four o’clock from the house lately improved by Mr. Todd nearly
opposite Dr. Bullfinch’s at West Boston, where her friends and acquaintances are desired to
attend.” The house thus referred to was situated on or near the present site of the Revere House
in Bolton Square, formerly known as a portion of Cambridge Street and sometimes as the
Western-Westerly end of Court Street.
[pause]

It is uh interesting to me, Mrs. Rogers, that the um two hundredth anniversary of uh Phillis
Wheatley, Phillis Wheatley’s coming to the United States would have gone unnoticed if the city
of Cleveland, having a Phillis Wheatley House, had not called the nation’s attention to Phillis
Wheatley and the fact that she was the very first Negro woman to a-achieve distinction in
America. We do know that she is honored in many ways by having many branches and uh

6

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

YWCA centers named for her in this country. But she should be remembered, and here in
Boston, for having made a distinctive contribution to our life and to our growing attitude of
friendliness and understanding, and to a feeling of all-inclusiveness that was germane to New
England life during the days of her brief time in the city.

Pitts Theology Library
Emory University

MR: Mrs. Thurman, I’m very grateful to you for exposing us to this lovely lady and I’m certain
that not very many people, like myself, knew much about her until you brought her to our
attention. Thank you very much indeed and I hope in the future we can find out a little more
about her than our time allows this afternoon. I know you have uh another person that you are
very anxious to tell us something about and I believe you said his name was Amos Fortune.

SBT: Yes, Amos Fortune, um comes next, and uh before going on to him, I would like to tell you
that it was a reading of that fascinating book [stutters] Amos Fortune, Free Man written by
Elizabeth Yates, who in private life is Mrs. William McGreal of Peterborough, New Hampshire.
I was particularly happy in coming to Boston after I read the book, that I might uh get more facts
on him and be near the place where Amos Fortune lived and died. Such was the impression that
the book had made upon me and thousands of others as far away as California. It was due to Mrs.
McGreal, Elizabeth Yates, that so many people knew of Amos Fortune. She literally brought him
forth from the grave and gave him to us at the time when we need to interpret his life and his
influence so very much.
A-About him, uh much can be said that would present new [sic] fact to many people. He reached
Boston on a little ship, which was called the White Falcon as early as July of 1725, uh fully
twenty-five years before Phillis Wheatley arrived. He too had been brought over on a slave ship
from the Gold Coast, which is now Ghana, when he was about fifteen years of age. He was
bought by good Quakers, um who went down to meet his ship. Many of them at the time
purchased these bondsmen when they were not financially in a position to have servants, to say
nothing of slaves, but they purchased them at the shipside that they uh might uh have an
opportunity to work for their own freedom and become citizens, free citizens, of this
commonwealth. It was a very old and gracious tradition of the Quakers of Boston in the
eighteenth century. Now the Quakers who purchased Amos Fortune were Caleb and Celia
Copeland. They lived very near Boston and it was with them that Amos Fortune had his first
years here, and very good and profitable years indeed were they. He lived with them until 1740,
and during this time he attended the Quaker meetings and each first Sunday uh aft-after which he
attended Mrs. Copeland’s School for Children which she conducted in her own home. Other
Africans who had and come and who were in various houses and forums around New England
considered him a very great friend, for he remembered his native land and could tell the others
heroic stories of his own father who was the chief of a tribe of At-mun-shi. He could recall the
philosophers of the older men and the long talks at night, women children together, the festivals,
the songs of young voices. It was said that Phillis Wheatley could keep only one haunting
memory of her home and people, being so young when she was snatched away to the hole of the
slave ship that brought her here, but that memory was a very interesting one: a memory of her
mother making a gracious gesture, bowing very low and pouring out water in salutation to the
rising sun. It was as though she performed some act of choreography as the sun came up in the
morning.

7

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

Pitts Theology Library
Emory University

[Tape makes a cut – SBT resumes talking in the middle of phrase]… very different um with
Amos Fortune, uh for he remembered many things and he gave the quality of his being to the
dream of New England in 1725 and until 18-1 [1801] —the year of his death. He served this
New England with a magnificent heart. In 1740 he was given over to the Richardsons of
Woburn, sold to them where he learned a trade and became an excellent tanner. He had earned
enough to pay for his freedom, his own freedom, in 1769, and then he became a purchaser of
freedom for other people. There is a sidelight on him here that is remarkable indeed. He paid for
the freedom of one person whom he wanted to marry. By 1769 he himself is an old man, or
getting to be an old man for his time, and this person whom he wanted to marry was fastbecoming an elderly woman, but Amos Fortune wanted her to die free, so he paid for her
freedom and married her. She died in a short year. After that, he paid for the freedom of another
woman who was along in years and who was ill at the time of this act, and she too died very soon
afterward. And the third wife he paid for uh the freedom of, Violet, who lived a very long life
with him, dying a year after his death. This wife lies beside him in the cemetery at East Jaffrey
today. He moved to Jaffrey, built his house in the shadow of the Monadnock mountain in New
Hampshire; “the mountain that stands alone,” he said. He proceeded to become one of East
Jaffrey’s finest citizens. In time one of the doctors of this community indentured his own son,
that the boy might learn the tanner’s trade. Uh, the indentured paper read that the doctor had of
his own free will and accord, bound his son Charles as apprentice to Amos Fortune, tanner, to
learn his art, trade, or mystery after the manner of an apprentice. To serve him from the date
hereof for and during the term until he shall arrive at age twenty-one years. During said time,
said apprentice his master shall faithfully serve his secrets keep his lawful commands gladly
obeyed.
[MR laughs]

SBT: I think this is a marvelous statement of an apprenticeship paper. And what makes Amos
Fortune so [pause- can hear faint music in background] wonderful, viewed in the light of the
highest values of his day, is the evidence of a great public spirit, which consumed him. He can
teach us many of the fine and skillful arts of integration in all ways. He made his will, leaving
one hundred dollars to his church in Jaffrey with which to purchase a silver communion service
for all of its communit-communicants, and he left about two hundred and fifty dollars- uh both of
these considerable sums at that time- the latter sum for the public schools to be used in any way
for the benefit of its students. The school money was deposited with interest and today has
become a sum of several thousand dollars. A forum is named in his honor today and a special
time is set aside to remember him, and to do him honor in the community where he lived and
died. The silver service was sent to a church in the South where it is now felt lost. Well-meaning
people thought that this silver service might inspire some people in the churches of the South to
think and feel as Amos Fortune did. The only thing that really happened was that it went south
and was lost, and now we search for it today as those who seek for the Holy Grail; but we cannot
find it. We know that uh we can find uh the spirit of the silver service only as we make gifts of
the spirit to our community wherever we live, just as he did.
High tribute is due these two. Representing in Phillis Wheatley a woman of thought, a reflection
of intuition, and in Amos Fortune, who lived ninety years of the eighteenth century, a man of
noble action. Their stories should hearten many of us here in America, in all parts of America,

8

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

coming from racial and creedal and national backgrounds, those who have kept the dream of
democracy and freedom in America and who look forward to this dream and those freedoms
becoming the heritage of all of her people.

Pitts Theology Library
Emory University

I would like to tell you Mrs. Rogers that I was invited to this high school in East Jaffrey last fall
to speak uh on that special day somewhat as a friend of Amos Fortune. The fact that I came for
this particular purpose and with uh my own background would make me a friend of Amos
Fortune, as the high school students are, and we have uh um to have a man remembered because
of his gift over a hundred fifty years in this little New Hampshire town is something that does
gladden the hearts, and I speak for all the friends of Amos Fortune.

MR: Both of these stories are very inspiring, Mrs. Thurman, and thank you for bringing them to
us this afternoon. You mentioned in our discussion, some time ago, that this month was the
anniversary of the death of Harriet Tubman, another wonderful Negro woman. The other um day
in discussing Harriet Tubman with a friend of mine, he said that he’d figured out that Harriet
Tubman must have walked something like six-sixty thousand miles over this country in her
underground journeys. This is something of course I didn’t know, he said she made about four
hundred trips back and forth, and the distance from the South to Canada being what it is was
really unbelievable. I wonder if you would um have time to tell us a few words about this
wonderful woman, Harriet Tubman, who lived such a long and profitable life?

SBT: Yes, it is fine of you to mention her right here. I have been thinking about her in
connection with Phillis Wheatley. I would like to connect her with Phillis Wheatley. For, uh
Phillis Wheatley was a Negro woman of the eighteenth century and I would consider Harriet
Tubman the outstanding contributor to the nineteenth and indeed to the twentieth centuries
because her life stretches across the nineteenth century, as you’ve said, having been born in 1820
and having died in 1913. [35:11] Now she was not fortunate, as was Phillis Wheatley, to um be
brought to Boston, or perhaps I should say that because of her deeds, her brave deeds, and her
leadership, she was fortunate not to have been born in Africa and brought to Boston. Uh she was
born in Maryland and lived there as a slave until she ran away, which is the history of many of
the very active and progressive ones who had to run away and take things in their own hands and
speed them up. She ran away and established herself in this section in Boston and-and New
Bedford, and she became uh very interested in life here, but often sad and having a feeling of
guilt that she had come away and had the freedom that the others were denied, so she went back
again and again into Maryland, deep into Virginia, pressing into the South, until she had brought
out more than four hundred of her fellow bondsmen. They traveled by night. She carrying a
sawed-off shotgun—uh it being necessary to have at that time—she following the North Star.
[sic] And they would come to this section and on into Canada [whistling can be heard in the
background] uh she to establish uh whom for her bondsmen, her freedmen, which was the
northern terminal of her underground uh railroad. This was established in Auburn, New York.
Because of that, she was called the Moses of her day and she made a contribution as a scout and
spy during the Civil War and actually led a raid in South Carolina. She knew the Abolitionists
here, one and all, particular-particularly uh did she know as a friend Robert Gould Shaw, whose
statue is in the Boston Gardens. Uh this young man was a great inspiration to her, and she was to
him. They were in South Carolina at the same time during the war and uh um in the battle in
which he felled. You are interested in Harriet Tubman I think because you have seen this very

9

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

Pitts Theology Library
Emory University

beautiful tapestry quilt, which [talking in the background] was done by a group, executed by a
group in California. [Faint music in background] It has Harriet Tubman’s figure on it and uh
these people whom she will bring across the border from darkness into light, uh freedom and
opportunity, are sketched in in a fascinating fashion. When we think that it-the quilt was made by
a group of men and women, um an interracial group of men and women, who made their
distinctive contributions- the men uh doing research and the women the stitching I think- um it is
uh it attests to-to the appreciation which many Americans feel for her as one if it’s very great
heroes. They were artists and craftsmen, an interracial group as I have said, and as a matter of
fact there were a few Orientals who worked on that quilt I understand.
MR: Well it-it’s very beautiful indeed. It was on display at the chapel several times and you said
that it has been on display in Washington in several of the government buildings. Also, I’ve seen
a lovely mosaic uh of Harriet Tubman that David Holleman did and if I’m not mistaken, it-he
gave it to your husband, Dean Howard Thurman. Is that correct?
SBT: Yes. Yes, uh with um Harriet Tubman leading um a little um boy by the hand as though
[MR clears throat] she is giving him a benediction and following um the path of the North Star
and leading him into its light and fulfillment. David Holleman has another um mosaic of Harriet
Tubman, which many of us here in Boston hope one day may be placed at Harriet Tubman
House, which is a community center about which you know located here- a center which is
rendering very great service to um children in the community where it is located in Roxbury.

MR: Well, I certainly hope so. I’m a great admirer, as you are Mrs. Thurman, of Mr. Holleman’s
work and also his spirit. Now we come to a very exciting event that we can’t let pass without
some mention, although we’re very far away: this is the new African Republic of Ghana. We are
both very thrilled about this event and in this the prospect, the hope of a truly free Africa. [40:01]
The newspapers have stressed that the prime minister of Ghana emphasized his sympathy for the
peaceful theories of Gandhi. I would like to quote uh what one man says here about uh
Nkumah’s [Nkrumah] idea, and I’m reading from the Christian Science Monitor an article by
Edward M. Waken [sp?], and he says, “After months of studying Gandhi’s policy and watching
the effect it had,” quoting Nkumah [Nkrumah] I should have said, “I began to say-to see that
when backed by a strong political organization, it could be the solution to the colonial problem.
In Nehru’s rise to power, I recognized the success of one, who pledged to Socialism, was able to
interpret Gandhi’s philosophy in practical terms.” That’s the end of the quote. I just want to say
on thing [clears throat], talking about historically thoughtful people, uh the Africans really can
assume responsibility if it is given to them. The trouble has been that they haven’t been given
any responsibility in Africa, or very little until now. From my own very brief and superficial
experience, I noticed there that every-any African that had any responsibility toward me, or
towards his job at the time, did a fine one if given the freedom and liberty to do it. This is why
Ghana is so exciting for me. I certainly hope that one day all of Africa will be free. It is hard to
imagine in the light of events today and in the light of what is going on in South Africa is almost
too dreadful to think about. But if Ghana can be free, then, it seems, there is hope for the rest of
Africa.
It occurred to me in mentioning the influence of Nehru and Gandhi, on uh the prime minister of
Ghana, that you, Mrs. Thurman, because of your having traveled extensively in India, because

10

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

you have known the great Gandhi, that perhaps you could say something in the light of your
experience on this subject and in the light of your traveling and lectures in India.

Pitts Theology Library
Emory University

SBT: Well yes, I would like to. I think, however, that uh Amos Fortune must be very happy in
his grave in East Jaffrey knowing that uh Ghana has come into being uh formally um the Gold
Coast from whence he comes, Ghana of today. He was um one of the great uh forerunners of the
potentiality of men of the Gold Coast, and it is because of him, I think, one reason uh would be
uh that the Gold Coast has proved its capacity for all of Africa for leading the way for all of
Africa’s nations. And the men who have come to this country and who lie in our soil, would be
happy to turn their eyes and their hopes toward Ghana. And if indeed, uh Nkrumah is inspired by
Gandhian theories, I would say that Ghana is in very good fortune.

We had very early hours with Gandhi that extended into noon. He wanted uh to meet us, and we
wanted to meet him, because he thought we could answer some questions about American life.
He was particularly interested uh to know about the life of Negroes and other minority racial
groups in America, about our own country and how we are meeting the um fascinating challenge
and privilege of making one people and one country um from a variety of strains [could be
strands?] and sources here. He wanted to know how we worked toward this expression, which
has a remarkable practical-it is having a remarkable practical demonstration right before our very
eyes in the South today. The thing that is being done in many sections, that is being brought to
completion and fulfillment by ministers who are trying to carry out the Gandhi tradition, wouldhe would consider um the-a fulfillment of his dream many thousand mile-uh-miles from India.

MR: There’s a very fine minister, about whom you know, Reverend King, uh is in Ghana with
his wife, and I’m sure this is going to be a very profitable visit for him and for Ghana. One of our
own very good friends, friend of Dr. Schweitzer Revered Homer Jack, a unitarian minster from
Chicago, is in Ghana and we hope we can entice him to this microphone when he comes back.
Do you think Gandhi, if he were alive today, would be happy with the progress that has been
made in America, as far as the American Negro is concerned? Uh Mrs. Thurman, do you think
that he would feel it has… [end of tape].

11

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="61">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="23536">
                  <text>Sue Bailey Thurman Recordings</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24125">
                  <text>This collection contains a two-part interview between Miriam Rogers and Sue Bailey Thurman. In this interview, Thurman explores the lives of Phyllis Wheatley and Amos Fortune, two black people brought to Boston on slave ships, presenting their lives of thought and action as exemplary of democracy and freedom in America. Thurman also talks briefly about the life of Harriet Tubman, and other current events, including: the growing influence of Gandhi's philosophy of non-violence, and readings from a book of "Meditations for Women," to which Thurman contributed. All in all, this interview offers a small window into the work and thinking of Sue Bailey Thurman.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24246">
                  <text>Descriptions by Rodell Jefferson III.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>AudioWithTranscription</name>
      <description>Audio that is shown through the 3Play Media embedded interactive transcript</description>
      <elementContainer>
        <element elementId="57">
          <name>Time Period</name>
          <description>The decade in which the recording was produced.</description>
          <elementTextContainer>
            <elementText elementTextId="23525">
              <text>1950s</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview, speech, lecture, or sermon</description>
          <elementTextContainer>
            <elementText elementTextId="23614">
              <text>WBUR, Boston, Massachusetts</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Audio with Transcription</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="24163">
              <text>&lt;div style="text-align:center;"&gt;&lt;audio controls style="width:90%;"&gt;&#13;
  &lt;source src="http://s3.us-west-2.amazonaws.com/pittsthurman%2Foriginal%2F1ea7391ebeffc3fc0a65baa1c806758e.mp3?AWSAccessKeyId=AKIAI4CD764Y635IGLNA&amp;Expires=1648053168&amp;Signature=Ig9lxQeOwWUCIcsLwzv2%2BBjfvbQ%3D" type="audio/mpeg"&gt;&#13;
Your browser does not support the audio element.&#13;
&lt;/audio&gt;&#13;
&lt;/div&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22568">
                <text>Interview with Sue Bailey Thurman on "Presenting Albert Schweitzer" with host Miriam Rogers, Side A</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22569">
                <text>Miriam Rogers</text>
              </elementText>
              <elementText elementTextId="22570">
                <text>Sue Bailey Thurman</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="22571">
                <text>&lt;a href="http://pid.emory.edu/ark:/25593/rp8k9"&gt;MSS 394&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="22572">
                <text>&lt;a href="http://pitts.emory.edu/"&gt;Pitts Theology Library, Emory University&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22573">
                <text>1959-03-10</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22574">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/"&gt;&lt;img style="border-width:0;" src="https://i.creativecommons.org/l/by-nc/4.0/80x15.png" alt="80x15.png" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.  2019.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22575">
                <text>audio</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22576">
                <text>394-337_A</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22604">
                <text>"Presenting Albert Schweitzer" was a radio program aired on WBUR Boston University Radio, hosted by Miriam Rogers. This episode was an interview with Sue Bailey Thurman. The introduction to the episode is provided by Norbert Ellerin.&#13;
&#13;
In this interview, Sue Bailey Thurman presents the lives of Phyllis Wheatley and Amos Fortune, two black people who had arrived to America at Boston on slave ships. Thurman says that the stories of their lives should hearten all Americans, as they embody the dream of democracy and freedom in America. In addition to Wheatley and Fortune, Sue Bailey Thurman also explores the life of Harriet Tubman, and speaks to Gandhi's increasing influence on the freedom movements in both the American South and in Ghana.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23535">
                <text>Transcription by Kayleigh M. Whitman</text>
              </elementText>
              <elementText elementTextId="24244">
                <text>Description by Rodell Jefferson.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="1282" public="1" featured="0">
    <fileContainer>
      <file fileId="1439">
        <src>https://thurman.pitts.emory.edu/files/original/7d7505e29c8ef5896baf66e5b23feb1d.mp3</src>
        <authentication>ca5fdb8011eeb6a22689153324a5f610</authentication>
      </file>
      <file fileId="1441">
        <src>https://thurman.pitts.emory.edu/files/original/fb770c52a65c50819572ff1c4aeea9bf.pdf</src>
        <authentication>5a45c0c0c4681e125de9e41e0754b4d9</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="53">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="23537">
                    <text>Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

Interview with Sue Bailey Thurman on "Presenting Albert
Schweitzer" with host Miriam Rogers, Side B (394-337_B)

Pitts Theology Library
Emory University

Miriam Rogers: Uh Mrs. Thurman, do you think that he [Mahatma Gandhi], he would feel it
[struggle for African-American equality] has progressed fast enough or is good enough?
SBT: Well, I think he would uh be very happy about the way it is being done. He would-would
council um a fidelity to the dream, even by those people who-who work under cover of night,
and there are many in the South who are a little afraid to have their sincere interest and concern
for the working out of uh of these uh tensions brought to light of day. But Gandhi felt that the
only way that people can be constrained to deeper expressions of humanity, that they share with
each other in this great trial of bringing man to a um higher ground in their relationship, each to
the other. That is the only way. I think he would say that we pay a-a terrible price, uh we pay a
very great price, but then we learn, we grow, through suffering and we develop and we become
very great as a nation and uh as a group of people forming a one world uh compact, one world
citizenship in doing so.

MR: [Clears throat] We can’t bring this hour to a close Mrs. Thurman, without bringing into
focus this lovely little book, which you gave me about a year ago. It is called “Meditations for
Women,” with an introduction by Dorothy Canfield Fischer and edited by Jean Abernathy.
Twelve different authors have chapters about each month in the year, yours being April. [Clears
throat] I was impressed by the beauty of your prose and the selections of poetry and reference. I
wish you would please tell us something about this elegant and helpful little volume, and how it
came into being. I notice that you have quoted Tagore, and I hope we’ll have time for you to read
a little from it and a little of Tagore’s poetry, which I love uh so very deeply. There, the authors,
there are twelve different authors as I said and they come from a great variety of sources. Edith
Lovejoy Pierce on January, for instance; Josephine W. Johnson, August; Banaro W. Overstreet
October, and I-I wonder if you could tell us whose idea the book was and what purpose you
think it uh was collected for and um how much time you spent on it because as I say, it is rather a
profound [pauses] April which you have for us, a different little page, a different page for every
day in the month.
SBT: Well, it was considered necessary to bring out a book of this sort that might be read by
women, um particularly those who would like something of refreshment of spiritual and-and
intellectual refreshment for each day. And the women were supposed to write from various
backgrounds, several approaches that we make to-to this sort of meditation uh to the um reading
of uh the things that um inspire and in-induce us to-to deeper thought and to um the greater
dreams to which we aspire. I took April because I had the temerity to want to write something
about three people who were born in the spring. I selected Juliette Derricotte, um who was the
Dean of Women of Fisk University and before that uh um a Y, a national YWCA secretary who
traveled greatly uh in the um fulfillment of uh in-in the service of this dream I shall say. It was
Juliette Derricotte who-who was killed in an automobile accident that rocked this country, some
years ago. Uh returning home from around the world um where she had spoken to thousands of
student groups in behalf of uh the friendship that American students would like to offer around
the world, she met with an automobile accident and died because she couldn’t get service-

1

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

medical service- that was needed. She was not accepted in this little hospital in Dalton, Georgia.
I wanted to write about her as a wonderful child of April.

MR: What is a veena, Mrs. Thurman?

Pitts Theology Library
Emory University

And then it happens that Thomas Jefferson was born in April, and how I put the two together of
course is um a thing of- took some daring. And Tagore, that you speak about, um is in this
chapter because he uh is the poet of spring. He was born in May, but there was something about
Tagore that made him the spring’s poet for all people, and he is the- these are the three that could
inspire and enliven any April or May or any spring, and I brought Tagore and Juliette Derricotte
and Thomas Jefferson together. Uh back to Tagore, we spent some time on his campus and there
I learned to play, or tried to learn to play, the instrument which is called the veena. I brought the
instrument home, um soon it became a thing of beauty- beauty of sight [MR laughs], but a silent
beauty, not a beauty of sound.

SBT: Well, it is supposed to be the second oldest instrument known to man. It is the daughter of
the oldest instrument. It is a string, it is made of string uh, it is a string instrument that is played
sitting down, stretches across the knees. It’s a very elegant thing to look at and to hear it is to be
taken back um into many centuries of the past and to be brought forward into the future that is
far far away in the distance.

MR: Um [clears throat], would you tell us a little bit about the name of the school, which Tagore
founded and a little bit about the campus there in India? It had always seemed so intriguing to me
that you have gone to this school and several of-other of our friends have attended it also.
SBT: Well, the name is um Shantiniketan, which means abode of peace. It’s a beautiful campus
with um spreading banyan trees and out of doors one will find uh the broad vistas and you
wander around an-an aura of beauty. Uh the school has captured the arts of India and brought
them back to the Indian people. Uh this after they had been forgotten and laid aside in favor of
the English language and English poetry and English music. It is now I think a uh a school
operated by the government and uh it has taken the place of those missionaries or ambassadors of
Indian culture who have traveled around from place to place, from community to community, all
through India from north to south, east to west, teaching their people to love their own arts and
culture. The school is doing this. Um the Chakravarties live there when they are not in residence
at Boston University.
MR: Oh, yes; that’s where they met I believe. Did Mr. Tagore read his own poetry while you
were there?
SBT: Yes, he did. He read to us one night. Um, we-he gave us a long reading of poetry.

MR: Well, Mrs. Thurman, in your little um book, you have two poems of Tagore’s and I believe
we have time for you to read both of them. Would you start with the one I think Tagore’s
“Maiden” and then close with “Where the Mind is Without fear?”

2

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

SBT: Well he writes in “Gitanjali,” uh about the Indian maiden who takes her lamp down to the
river:
“Maiden where do you go shadowing your lamp with your mantle? My house is all dark and
lonesome. Lend me your light.
I have come to the river, to float my lamp on the stream when the daylight wanes in the west.

I have come to dedicate my lamp to the sky.

Pitts Theology Library
Emory University

In the silence of gathering night I asked her, Maiden your lights are all lit, then where do you go
with your lamp?

In the moonless gloom of midnight I asked, Maiden, what is your quest holding the lamp near
your heart?
I have brought my lamp to join the carnival of lamps.”
And then the other one uh that you want, I think, is
“Where the mind is without fear and the head is held high;
Where knowledge is free;
Where the mind is led forward by thee into ever-widening thought and action;
Into that heaven of freedom, my father, let my country awake.”
And I think he would say all countries awake.

MR: That’s a most appropriate close to a very fascinating and unusual hour. I want to thank you,
Mrs. Thurman, for being a guest on this program. Thank you in the name of Albert Schweitzer,
and the friends of Albert Schweitzer. For me, it has been a great pleasure to be joined with you
and listening to you and hearing the things that we wouldn’t have heard otherwise, and I feel sure
that our listening audience will say the same. Thank you again, Mrs. Howard Thurman.
Norbert Ellerin: You have been listening to another program in the series entitled “Presenting
Albert Schweitzer.” This program is conducted by Mrs. Miriam Rogers of Brookline. Mrs.
Roger’s guest this afternoon has been Mrs. Howard Thurman. Your announcer has been Norbert
Ellerin. This afternoon’s program came to you by tape recording. This is Boston University
Radio.

3

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="61">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="23536">
                  <text>Sue Bailey Thurman Recordings</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24125">
                  <text>This collection contains a two-part interview between Miriam Rogers and Sue Bailey Thurman. In this interview, Thurman explores the lives of Phyllis Wheatley and Amos Fortune, two black people brought to Boston on slave ships, presenting their lives of thought and action as exemplary of democracy and freedom in America. Thurman also talks briefly about the life of Harriet Tubman, and other current events, including: the growing influence of Gandhi's philosophy of non-violence, and readings from a book of "Meditations for Women," to which Thurman contributed. All in all, this interview offers a small window into the work and thinking of Sue Bailey Thurman.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24246">
                  <text>Descriptions by Rodell Jefferson III.</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>AudioWithTranscription</name>
      <description>Audio that is shown through the 3Play Media embedded interactive transcript</description>
      <elementContainer>
        <element elementId="57">
          <name>Time Period</name>
          <description>The decade in which the recording was produced.</description>
          <elementTextContainer>
            <elementText elementTextId="23526">
              <text>1950s</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview, speech, lecture, or sermon</description>
          <elementTextContainer>
            <elementText elementTextId="23613">
              <text>WBUR, Boston, Massachusetts</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Audio with Transcription</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="24162">
              <text>&lt;div style="text-align:center;"&gt;&#13;
&lt;audio controls style="width:90%"&gt;&#13;
  &lt;source src="http://s3.us-west-2.amazonaws.com/pittsthurman%2Foriginal%2F7d7505e29c8ef5896baf66e5b23feb1d.mp3?AWSAccessKeyId=AKIAI4CD764Y635IGLNA&amp;Expires=1645649174&amp;Signature=Byfwjnl%2BaSUWFIeD4UqbkVIKGTQ%3D" type="audio/mpeg"&gt;&#13;
Your browser does not support the audio element.&#13;
&lt;/audio&gt;&#13;
&lt;/div&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22577">
                <text>Interview with Sue Bailey Thurman on "Presenting Albert Schweitzer" with host Miriam Rogers, Side B</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22578">
                <text>Miriam Rogers</text>
              </elementText>
              <elementText elementTextId="22579">
                <text>Sue Bailey Thurman</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="22580">
                <text>&lt;a href="http://pid.emory.edu/ark:/25593/rp8k9"&gt;MSS 394&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="22581">
                <text>&lt;a href="http://pitts.emory.edu/"&gt;Pitts Theology Library, Emory University&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22582">
                <text>1959-03-10</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22583">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/"&gt;&lt;img style="border-width:0;" src="https://i.creativecommons.org/l/by-nc/4.0/80x15.png" alt="80x15.png" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.  2019.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22584">
                <text>audio</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="22585">
                <text>394-337_B</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="22603">
                <text>This is Part 2 to "Presenting Albert Schweitzer," a radio program aired on WBUR Boston University Radio, hosted by Miriam Rogers. This episode was an interview with Sue Bailey Thurman. The introduction to the episode is provided by Norbert Ellerin.&#13;
&#13;
In this second half, Miriam Rogers and Sue Bailey Thurman closes out the interview. Rogers asks Thurman about Gandhi and his perspective on social progress. Rogers also tasks Thurman about a book in which she is included, entitled "Meditations for Women."  Finally, Thurman ends the interview by reading two poems from Rabindranath Tagore which were included in the book.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="23539">
                <text>Transcription by Kayleigh M. Whitman.</text>
              </elementText>
              <elementText elementTextId="24245">
                <text>Description by Rodell Jefferson III.</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="1" public="1" featured="0">
    <fileContainer>
      <file fileId="353">
        <src>https://thurman.pitts.emory.edu/files/original/279504a2a9a4a76294916fcdd033c661.pdf</src>
        <authentication>cf9e25466b1a4ece963c5b2c5224b4d8</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="53">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="2756">
                    <text>Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

394-001_A.mp3
[MUSIC PLAYING]
[CHORUS SINGING]

Pitts Theology Library
Emory University

In the quietness of our period of meditation, we turn our minds and focus, our thoughts to and
upon the house of Israel. These are the holy days, the days which will be climaxed in the day of
atonement.

The moment when, at long last, all of the story of the private life and the collective activity, all of
the living texture of all the days that have passed during the year are spread before the King of
the universe for judgment, for inspection, for renewing, for benediction.
We are mindful of the faithful and dramatic story of the Jewish community and the history of life
on this planet. In ways that the mind cannot quite grasp nor the emotions fathom, there has
moved in the midst and the heart of these people an awareness of a holy presence brooding over
their days, urging them to feel themselves to be peculiar witnesses to his love, and his wisdom,
and his omnipotence.
Strange house of Israel, bearer in its body of so much anguish. Its sons and daughters through all
the leaden-footed centuries having been victimized and broken by the hostility and cruelty of
man. In the silence of this morning, we can hear the screams in the ghetto and smell the burning
flesh in the ovens.
We can hear also the voices speaking in tongues that draw forth a response from the hearts of all
men. The voices of the prophets, the voice of Jesus of Nazareth. We remember Israel as we sit
together in the presence of God.
Be a fire in our conscience, a softness in our hearts, a courage in our actions, oh, God, that
through us there shall be no hatred, no hostility passed on.

But somehow, our Father, may we be so full of thy love, that the bruised reed we will not cry
crush, nor the smoking flask quench. And for us, merciful God, this is enough.
[MUSIC PLAYING]

What is man that thou art mindful of him and the son of man that thou visiteth him? For thou has
made him a little lower than the angels and has crowned him with glory and honor. Thou madest
him to have dominion over the works of thy hands. Thou has put all things under his feet.

All sheep and oxen, yea, and the beasts of the field, the foul of air, and the fish of the sea. And
whatsoever passes through the paths of the seas, oh, Lord, our Lord, how excellent is thy name in
all the earth.

1

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

I like to feel that strange life beating in upon me. I like to realize forms of life utterly unlike my
own. When my own life feels small and I'm oppressed with it, I like to crush together and see it
in a picture in an instant, a multitude of disconnected, unlike faces of human like.

Pitts Theology Library
Emory University

A medieval knot with its string of beads pacing the quiet orchard and looking up from the grass
at his feet to the heavy fruit trees. Little Malay boys playing naked on a shining sea beach. A
Hindu philosopher alone under his banyan tree thinking, thinking, thinking so that in the thought
of God, he may lose himself.
A troop of bacchanalians dressed in white with crowns of vine leaves dancing along the Roman
streets. A martyr, on the night of his death, looking through the narrow window to the sky and
feeling that already he has the wings that shall bear him up. An Epicurian discussing at a Roman
bath to the nod of his disciples on the nature of happiness.
A Kaffir witch doctor seeking for herbs by moonlight, while from the huts on the hillside come
the sounds of dogs barking and the voices of women and children. A mother giving bread and
milk to her children in little wooden basins and singing the evening song.

I like to see it all. I feel it run through me. That life belongs to me. It makes my little life larger.
It breaks down the walls that shut me in.
I want to begin this morning by laying the foundation and taking perhaps a half a step in the
direction that we shall be going for the next four or five Sundays. Disciplines of the spirit.
Discipline means training.

It means the reaction of an organism or the organism to the impact of the environment upon it,
including the adjustment that the organism makes to this impact, including the way in which, as a
result of the impact upon the living thing, certain qualities that are inherent in the life of the
living thing are brought into fruition.
Discipline means training. It means development. It means response to. And often, it means
responsibility for something. Well, so much for discipline, which is not a particularly good word.
Now, spirit. This is a good word, but more difficult. What do we mean by the spirit? The human
spirit? I'm sure when I get through talking about it, you will not know if you don't know already.
But I'm under obligation to lay it before you so that you at least will know what I mean when I'm
saying it.
Now, the body, the human body takes its energy from matter. From bread, meat, water, these
things that you can touch, and feel, and handle. Now, the human body works over this stuff and
extracts from it the energy that it needs to keep it going.

And as it does this, the body grows and develops in accordance with something that is written in
the constitution of the organism.
Now, the mind takes its energy neat. It doesn't get its energy through matter. But energy in the
form of motion moves across things that we call nerves to certain centers in the brain, I suppose.
And these motions on these nerves make impressions.

2

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

These impressions linger, tarry after the energy shoots over it. And as these pile up, they begin to
fit, to be organized into systems of memory, and they make up for the individual, his personal
history from the inside.

Pitts Theology Library
Emory University

Now, the moment that the mind, now, begins to take all of these memories that are a part of the
living organism and the part that it inherited and begins to deal with them in some kind of order
so that they become unique, and private, and personal, and they begin to guide the life of the
organism in terms of behavior, in terms of action, in terms of responses and responsibilities.

When the mind begins to act in a manner that is independent of its body boundenness, if I may
put it that way, then the mind begins to take on the characteristics of spirit. Now, spirit then may
be thought of, not defined as, mark my words-- spirit may be thought of as that quality of
personality that causes the individual to act with authority over his environment, and to take
responsibility for that action.
Now, the spirit, in the sense in which I'm using it, is disciplined, is trained, is cultivated, is
fashioned by many things. The first to which I will call your attention this morning is by the
experience of growth. Growth.

Now, growth means development. It means unfolding. It is characteristic of life. A little child's
spirit develops as-- tends to develop-- as the body grows and as the mind grows. But a baby
who's first in the family, as you know very well from your experience and observation, the baby
is the master of the household.
Everything that has been moving in an orderly manner now begins to reverse itself. You cannot
behave as you did before because somebody is always sitting in judgment upon you if you don't
do certain things. Now, for the baby then, you see, to desire something is to get it. Wish and
fulfillment like this with no time interval between.

And the baby discovers this very early. And he has ways of making himself articulate, and he
does it. He knows that when he cries then-- or when she cries, rather-- that somebody is coming.
Somebody is going to do something about it.
Now, after a while, however, the newness begins to wear off and other responsibilities come in.
The telephone rings at the wrong time, or something happens to the stove, and then the baby
discovers that no thing happens when he expresses his wish.

And then he tries all the little tricks. He doesn't know that they're tricks, but he tries. He
experiments with what must we do now in order to keep the time interval-- this is the only point
that I'm making this morning. To keep the time interval between wish and fulfillment at zero.

But the time interval begins to expand due to forces over which the baby cannot exercise
apparently any control. And whether the baby goes into a healthy-- and I use the word "adjusted"
in quotes-- a healthy, adjusted human being depends on the degree to which the child is able to
respond to the demands that he must to learn how to negotiate an expanding time interval
between wish and fulfillment.

3

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

Now, if the baby does not like this, then the child will not know it. If the child does not know it,
the youth will not know it. If the youth does not know it, the adult will not know it. And we see
them around us, don't we? Those individuals are psychologically and spiritually unprepared to
deal with the expanding time interval between their private wishes and the fulfillment of those
wishes.

Pitts Theology Library
Emory University

And how do they live? How do they behave? In their [INAUDIBLE] and in the inner tortures of
their spirits? Have you ever heard yourself say when you were a grade school student-- of
course, you do not say it, those of you who are in college, that this teacher, for some curious
reason, the teacher just doesn't like me.
Now, she likes everybody else. She doesn't like me. And when you try to talk this out, then you
are reminded that you do not understand. Now, very often, this is a thing that is at work. How
can I keep the time interval at zero? How can I remain a baby?

Now, this is an awkward way to put it, isn't it? But this is what it adds up to. Now, sometimes a
man uses all the powers of his mind and creativity to make friends on a highly selective basis.
Friends, which by cold calculation because of the position which they occupy in the world, all
the possessions which they have, all power which is theirs. Friends that are able to become living
instruments in his hands keeping the time interval close to zero between what he wants and being
able to get it.
This becomes a very, very searching fire that's built at the heart of a man. That makes him
sometimes ambitious and courageous. Long suffering in order to get power. And what is there
that is so deadly about power? It is this. That power enables a man more and more to be able to
reduce the time interval between his will and the fulfillment of the thing that he wills.

This is why war is so difficult to uproot in human life. Because what is the heart of the war
notion? It is that the will of a nation may be brought to bear convincingly and effectively upon
another nation in order that what the powerful nation wishes and the fulfillment of that wish will
be close to zero in time. This is it.

Now, as we learn how to negotiate the time interval, we develop something that is called
patience. Patience. And I will just have time to touch it now. We learn how to wait. Sometimes, I
think-- and I speak with great reverence here.
Sometimes I think that perhaps the most distinguishing thing, one of the most distinguishing
things between God and the human spirit is that God knows how to wait. How to sit it out and
watch the slow crawling manifestation of the potential of the organism. And man does not know
this.
So one of the things, one of the results of the discipline of growth is to learn patience. Now,
patience may be merely an escape into inactivity. It may be the result of fear, laziness, all kinds
of things. Well, I'm not talking about that kind of patience.

I'm talking about the patience that represents the time interval after the desire has manifested
itself and the way in which the individual must assess and reassess his environment in order that
he may know what the chances are for the fulfillment of his desire or his wish.

4

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

Now, let me illustrate it from the baby again. I was visiting with a friend of mine and the baby
began crying just a little. And we were talking and my friend and I just unconsciously began
whispering. The baby stopped crying not quite, but the crying went down about like this. And it
was sort of trembling there.

Pitts Theology Library
Emory University

Because you see, the baby was sure that she had heard voices. Then we stopped and she couldn't
hear them any more, so she stopped crying so much so that she could-- she was assessing the
environment. And then she started up again. And she cried and cried, and it just became one of
those-- you know, the horrendous cries. It was awful.
And it makes you feel guilty if you don't run in and do something because you know that the
baby is dying. But we didn't do anything. We just sat there. And then the baby stopped and
waited. And we were sure that she was listening to see whether or not there was any movement
in that room. And when she was convinced that there wasn't any sounds around, there wasn't
anybody, rather, around, then she just went on doing her little baby things in contentment.

Now, what the baby did, you see, was to take time to assess and reassess the environment. To see
how to proceed in order to negotiate the expanding time interval. And this is the content of a
certain kind of patience that is a discipline of growth.

And then there is just one other kind of patience, and it is the kind that makes you sensitive to the
relationship between the thing that you wish and the practical elements in the environment which
must be in line with your wish if that wish is to be fulfilled.
This idea of having a great desire, wish, or ambition, if you please, that requires of you a certain
kind of fulfillment if you are to grow into its likeness. And as you look at the present situation,
you do not see any possibility for this sort of thing.
It may take 5 years, 6 years, 8 years, 10 years, and you don't know whether you can wait that
long. A lot of other things must be done. It takes a certain many number of hours of work every
day and you aren't sure whether you are so disposed to do this.

Now, the temptation is to scale down. And please, those of you who are under 25, please listen to
this carefully. The temptation is to scale down the heights of your dream or your desire. To put it
down to a level that will make it fit the dimensions of your cramped little world.

And if you do that, you see, then it means that wish and fulfillment now can be close to zero.
And after you have it, if you pay that price, as long as you live you will despise yourself. And the
very springs of your spirit will begin to decay.
Thou hast made him a little lower than God and given him dominion over the things of the earth,
including himself.
Leave us not alone, oh, God, in the weakness of our thoughts and the dullness of our spirits. But
take the broken words, the inarticulate musing of the spirit, and so fill it with thy light and thy
life that its perfect work will be done. Oh, God, God, God, our Father, leave us not alone.
[MUSIC PLAYING]

5

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="31">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="20746">
                  <text>Disciplines of the Spirit (1960, Marsh Chapel, Boston University, Boston, MA)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="22035">
                  <text>In this 8-part series, Thurman discusses a variety of topics related to the disciplines of the spirit, including growth, personal stability, commitment, dedication, actions, dualism, and redemption.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24080">
                  <text>1960</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24087">
                  <text>Descriptions by ShaCarolyn Halyard</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>AudioWithTranscription</name>
      <description>Audio that is shown through the 3Play Media embedded interactive transcript</description>
      <elementContainer>
        <element elementId="52">
          <name>Audio with Transcription</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="14193">
              <text>&lt;iframe width="100%" height="820" frameborder="0" src="/files/players/394-001_A.html" &gt;&lt;/iframe&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview, speech, lecture, or sermon</description>
          <elementTextContainer>
            <elementText elementTextId="20604">
              <text>Marsh Chapel, Boston University, Boston, Massachussetts</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="57">
          <name>Time Period</name>
          <description>The decade in which the recording was produced.</description>
          <elementTextContainer>
            <elementText elementTextId="23062">
              <text>1960s</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Original Title</name>
          <description>Title as transcribed from tape cassette</description>
          <elementTextContainer>
            <elementText elementTextId="24051">
              <text>Disciplines of the Spirit I, 1960 Sep 25</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="2748">
                <text>394-001_A</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2749">
                <text>Thurman, Howard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2750">
                <text>Disciplines of the Spirit, Part 1, 1960 September 25</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2751">
                <text>1960-09-25</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2752">
                <text>&lt;a href="http://pid.emory.edu/ark:/25593/rp8k9"&gt;MSS 394&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2753">
                <text>audio</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="2754">
                <text>&lt;a href="http://pitts.emory.edu/"&gt;Pitts Theology Library, Emory University&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13480">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/"&gt;&lt;img style="border-width:0;" src="https://i.creativecommons.org/l/by-nc/4.0/80x15.png" alt="80x15.png" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.  2019.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="20087">
                <text>GEOMETRYCOLLECTION(POINT(-7915565.7490374 5213612.6443988))</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21966">
                <text>This initial lecture in the Disciplines of the Spirit series is a discussion about the development of patience through the discipline of growth. Thurman describes discipline as the training, development, response to, and often responsibility for something. The spirit is disciplined, trained, cultivated, and fashioned by many things. One of these things is the experience of growth. Growth is characteristic of life and as our body continues to develop, so does our mind and spirit. In our initial stages of growth our desire to keep the interval between what we wish for and the fulfillment of that wish at zero. As we learn to negotiate the expanding time interval between wish and fulfillment, we develop patience. &#13;
 </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21986">
                <text>Description by ShaCarolyn Halyard</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="12">
        <name>discipline</name>
      </tag>
      <tag tagId="149">
        <name>growth</name>
      </tag>
      <tag tagId="150">
        <name>patience</name>
      </tag>
      <tag tagId="113">
        <name>spirit</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="2" public="1" featured="0">
    <fileContainer>
      <file fileId="354">
        <src>https://thurman.pitts.emory.edu/files/original/d6de3743f21a5d77d12e9d61f647076f.pdf</src>
        <authentication>87be9f7391465d64e6f6d87292c57749</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="53">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="2765">
                    <text>Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

394-001_B.mp3
[MUSIC - "DEAR LORD AND FATHER OF MANKIND"]

Pitts Theology Library
Emory University

(SINGING) Dear Lord and Father of mankind, Forgive our foolish ways. Reclothe us in our
rightful mind, in purer lives Thy service find, in deeper reverence, praise.
Oh Sabbath rest by Galilee, oh, calm of hills above, where Jesus knelt to share with Thee the
silence of eternity interpreted by love.

Drop thy still dews of quietness till all our strivings cease. Take from our souls the strain and
stress and let our ordered lives confess the beauty of Thy peace.

And the moving of Thy Spirit in our hearts, sometimes, our Father, is more than we can take.
The absence of a sense of Thy Spirit in our heart, our Father, is sometimes more than we can
bear. Gather us together. Gather us together in this waiting moment, that our spirits and our
minds may be so stilled that there may begin to move from the depths of us to the surface those
things which Thou wouldst scrutinize and assess, but things of which in the business of the daily
rounds we are scarcely aware.
Make us whole, our Father, that the great struggle of conflict in our spirits may be quieted, and
once more we may know, each for himself, that we are Thy children. Thou art the God of our
spirit and our heart. We do not want to drift, to wander aimlessly up and down the streets of the
world. We need so desperately, oh God, our Father, a sense of home in our mind, in our hearts,
in our dreams, in our ambitions, in our work and our play. And we wait, we wait for Thy
benediction now, our Father.
[MUSIC - "GREAT GOD, THE GIVER OF ALL GIFTS"]

We continue our discussion of the disciplines of the spirit, dealing further with the whole
experience of growth.

"It little profits that an idle king by this still hearth, among these barren crags, matched with an
aged wife, I mete and dole unequal laws unto a savage race that hoard and sleep and feed and
know not me. I cannot rest from travel. I will drink life to the lees. All times I have enjoyed
greatly, have suffered greatly, both with those that loved me and alone, on shore and when,
through scudding drifts, the rainy Hyades vext the dim sea.
I am become a name for always roaming with a hungry heart, much have I seen and known-cities of men and manners, climates, councils, governments, myself not least, but honored of
them all and drunk delight of battle with my peers far on the ringing plains of windy Troy.

I am a part of all that I have met yet all experience is an arch wherethrough gleams that
untravelled world whose margin fades forever and forever when I move. How dull it is to pause,
to make an end, to rust unburnished, not to shine in use as though to breathe were life!

1

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

Life piled on life were all too little and of one to me little remains-- this is an old man talking, I
forgot to say. But every hour is saved from that eternal silence, something more, a bringer of new
things. And vile it were, for some three sons to store and hoard myself and this gray spirit
yearning in desire to follow knowledge like a sinking star, beyond the utmost bounds of human
thought.

Pitts Theology Library
Emory University

Old age hath yet his honor and his toil. Death closes all, but something ere the end, some work of
noble note may yet be done, not unbecoming men that strove with gods.
The lights begin to twinkle from the rocks. The long day wanes. The slow moon climbs. The
deep moans round with many voices.

Come, my friends. 'Tis not too late to seek a newer world. Push off, and sitting well in order,
smite the sounding furrows. For my purpose holds to sail beyond the sunset and the baths of all
the western stars until I die.

It may be that the gulfs will wash us down. It may be we shall touch the Happy Isles and see the
great Achilles, whom we knew. Though much is taken, much abides. And though we are not now
that strength which in old days moved Earth and heaven, that which we are, we are one equal
temper of heroic hearts, made weak by time and fate, but strong in will to strive, to seek, to find,
and not to yield."
Thus speaks Ulysses through the mind of Tennyson.

It was said of the Master that he increased in wisdom and in stature. It was suggested last week
that growth means change, development, it means learning how to negotiate the expanding time
interval between wish and fulfillment. Today I want to pick up the threads of that aspect of our
discussion and take it a little further.
Growth of the body is a very demanding process, far more demanding than the tools and
techniques which we have developed are able to ascertain and determine. I think one of the
reasons why little children sleep so much longer than adults, and sleep with such utter
enthusiasm is the fact that they are tired. They are tired, but they aren't weary, as they will be
later. So much energy has gone into growing, so many subtle processes are taking place-- as a
matter of fact, the little organism is laying a track on which it will run for the rest of its days.
And this is a time, therefore, of innocence.
[CHILD CRYING]
We hear it.
[LAUGHTER]

This is a time, this is a time of innocence because the mind, you see, which is so new, so recent
in the experience of man-- as a matter of fact, we just got our minds about 30 seconds ago in the
long time span. That is the moment when the mind was able, somehow, to separate itself from all
of the involvements and the complexity of the body, and look at the body and look at the world.
Now this means that while the little child is growing and the mind is still wandering around

2

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

through all of the avenues of its organism, trying to locate everything against the future, the mind
have no time to deal externally with the world.

Pitts Theology Library
Emory University

And this is what we mean by innocence. A time when the child-- applying it at this point-- a time
when the child is involved in the experience of an utter absence of any aware responsibility. And
that is why our times are so terrifying, because all over the world this morning there are little
children-- one year old, two years old, three years old, five years old, who are forced to grapple
with the external world as if the work of their bodies had been essentially completed, and they
were now released with their minds and spirits to deal externally with the world.
What a future are we piling up for ourselves in the mass denial of the privilege of children to be
children? Think of it. To be born, to live with this whole segment of life cut out. No chance to
experience innocence. What would have happened to you if you'd never experienced innocence?

Now growing in stature mean going through the period of innocence. It means that the individual
should have the chance to pass while somebody else takes the responsibility. Now, when this
doesn't happen, the whole timetable for the individual is thrown out of line, and the individual
develops what may be regarded as an angry nervous system that expresses itself in a wide variety
of detailed, anti-social attitude for which we have these strong and interesting words. Like
delinquency of one kind or another.
But this isn't all. Growth means the acceptance-- how to say this-- it means the acceptance of
one's fact Now let me illustrate it. One of the things that always fascinates me about life as I
observe it and as I experience is that its limitations seem to be built into life itself. For instance,
there comes a time when your feet stopping growing. Now there's no notice about it. But it grow,
your feet grow and grow and grow, and then suddenly-- or it seems suddenly, at any rate-- they
stop growing. But suppose your foot didn't stop growing, wouldn't that be something?
[LAUGHTER]

You know, just moving around. But you see, your foot may stop growing or your body may stop
growing, but in your mind you want it to keep on growing. So all the time, as you watch the fact
that you have stopped, the people who are most prestige-bearing around you have kept on. And
one of the disciplines through which you pass in this growing experience is to be able to deal
with your physical fact, which seems somehow to be built in to the creative energy and process
which is in you, but which may not be binding on the person for whom you have the greatest
regard and the greatest respect.

So part of the discipline of your spirit is to accept the fact that you are five feet three, and the
most acceptable height in your mind is five feet eleven, and you're stuck with it. So that
somewhere along the way, you see, you must learn how to accept your fact and to use this as one
of the elements of the structure of meaning and dependability in your world. And you can take
this and apply it in various other ways that I won't take the time to do.
Growth means, also, being able to handle-- and this ties directly into the idealized Sunday.
Growth means also to be able to handle change. Change.

3

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

Now it is all right, perhaps, if the change is very slow, so slow that you aren't hardly aware of the
change. But so often, growth means accepting radical change, being involved in a situation that
involves radical change. Sometimes the radical change is so dramatic that the reason is unhinged,
and somehow the whole equilibrium has to be stabilized while one's insides can wrap themselves
around the new fact.

Pitts Theology Library
Emory University

In the first parish that I had in [? Overland, ?] one Monday morning when I returned to the city-I'd been away for the weekend-- as I walked in the door my telephone was ringing. And I
answered it and it was the husband of the lady in my little church who was the superintendent of
the Sunday school. And he said, will you please come over to the house right away? I said, is it
urgent? I've just come in. He said yes, it's more than urgent.

So I walked right back out of the house and went over to their home, and he met me at the door.
And he said, my wife went to bed last night in her customary health, and when she awoke this
morning her whole right side was paralyzed and her mind seems to be gone. And I went upstairs,
and I sat by her bed and talked. I read.

It was in the days, the period in my own life when one of my constant companions was Thomas a
Kempis. And I reached into my hip pocket where I carried my little Thomas a Kempis, and
pulled it out and began fingering through, reading, talking, having a prayer now and then, being
quiet for long stretches, reading some more, talking. The doctor came back at 1:00. I was still
there doing this. He did his work and left. And then I remained for more than seven and a half
hours.
I sat at her bedside, holding her hand, talking, reading, praying, being quiet, reading, talking,
praying, until-- it was so graphic that words cannot quite put it. It seems as if finally, her mind
settled back in its socket, to use the phrase. And after that, she was able to manage this sudden
rupture of her world.

Now, that's very dramatic. But in one way or another, the principle is very sound and applicable
to all aspects of our development. When change is mandatory, it means that there is a period, a
moment or an interval when we are without moorings, when we are without the things in our
world to which we are so related that we have a sense of inner stability. And we struggle to keep
change from taking place because we do not want to run the risk of being without structure.
How hard it is for children to become independent of their parents in the way in which I'm
thinking. How hard it is for parents to release their hold on children. A friend of mine wrote a
poem about this in another collection. And he described it as, back many years ago, when the
great battle was the battle of evolution. Those of you who are very young do not remember any
such thing, but there was a time when that was true. So he wrote a poem about it. And this is the
form that the poem took.
He described a prison, and in that prison there was a large cell. And in that cell were many
people who had been in jail so long that they had made their peace with the fact. It was-- they
had their meals, such as they were, but they came, they had no responsibility. And then he came
along with a key and unlocked the door so they could get out and be free. They could not keep
him from unlocking the door, but they could keep him from opening it, so all of the strong man
in jail came over to the door to hold it tight so they could not get out.

4

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

Pitts Theology Library
Emory University

Now, growing in wisdom means to be able to accept the zone of treacherous quiet through which
you pass as you leave one structure of dependability in quest of a new structure of dependability.
The journey between these two is a journey, often, of insulation, of panic, of fear, of anxiety,
because the things that have stabilized you in the past and upon which you have grown
dependent are no longer present. And as you reach to find at-home-ness in a new structure,
walking beside you all the way is the enemy, who constantly whispers in your ear. Suppose you
are mistaken. Suppose you don't find it, then what?

Discipline of the spirit means, then, that in moving from where you are to where you feel you are
destined to go, you must accustom yourself to loneliness, to solitary-ness, to a sense of being
deserted, until at last you're able to build or to find a new structure, a new basis of integration, a
new level of awareness and significance.
And if you don't do that, then you will perish. Perish. Not die, I didn't say that, but perish. And
by perish, I mean simply this, that you will be unable to function as one who, in your story, your
experience, your opportunity, unable to function as one who has those things should be able to
function.
"I'm tired of sailing my little boat far inside the harbor bar." This is what I'm talking about. "I
want to go out where the big ships float, out on the deep where the great ones are. And should
my frail craft prove too slight for storms that sweep those billows o'er, I'd rather go down in the
stirring fight that drowse to death by the sheltered shore." Growing in [INAUDIBLE] and in
stature, this is what God requires. Then what shall we do about it?
Let the words of my mouth and the meditation of my heart be acceptable in Thy sight, oh Lord,
my rock and my Redeemer.
[CHORAL MUSIC]
(SINGING) Amen, Amen, Amen.

5

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="31">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="20746">
                  <text>Disciplines of the Spirit (1960, Marsh Chapel, Boston University, Boston, MA)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="22035">
                  <text>In this 8-part series, Thurman discusses a variety of topics related to the disciplines of the spirit, including growth, personal stability, commitment, dedication, actions, dualism, and redemption.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24080">
                  <text>1960</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24087">
                  <text>Descriptions by ShaCarolyn Halyard</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>AudioWithTranscription</name>
      <description>Audio that is shown through the 3Play Media embedded interactive transcript</description>
      <elementContainer>
        <element elementId="52">
          <name>Audio with Transcription</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="14194">
              <text>&lt;iframe width="100%" height="820" frameborder="0" src="/files/players/394-001_B.html" &gt;&lt;/iframe&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="54">
          <name>Internal Notes</name>
          <description>Notes for project team</description>
          <elementTextContainer>
            <elementText elementTextId="18487">
              <text>Edited transcript - SR, 190508</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview, speech, lecture, or sermon</description>
          <elementTextContainer>
            <elementText elementTextId="20605">
              <text>Marsh Chapel, Boston University, Boston, Massachussetts</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="57">
          <name>Time Period</name>
          <description>The decade in which the recording was produced.</description>
          <elementTextContainer>
            <elementText elementTextId="23063">
              <text>1960s</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Original Title</name>
          <description>Title as transcribed from tape cassette</description>
          <elementTextContainer>
            <elementText elementTextId="24052">
              <text>Disciplines of the Spirit II: Growth, 1960 Oct 2</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="2757">
                <text>394-001_B</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2758">
                <text>Thurman, Howard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2759">
                <text>Disciplines of the Spirit, Part 2: Growth, 1960 October 2</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2760">
                <text>1960-10-02</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2761">
                <text>&lt;a href="http://pid.emory.edu/ark:/25593/rp8k9"&gt;MSS 394&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2762">
                <text>audio</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="2763">
                <text>&lt;a href="http://pitts.emory.edu/"&gt;Pitts Theology Library, Emory University&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13481">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/"&gt;&lt;img style="border-width:0;" src="https://i.creativecommons.org/l/by-nc/4.0/80x15.png" alt="80x15.png" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.  2019.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="20088">
                <text>GEOMETRYCOLLECTION(POINT(-7915565.7490374 5213612.6443988))</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21967">
                <text>In this second installment of Disciplines of the Spirit, Thurman builds upon the concept of growth introduced in part 1 of the series. Here Thurman describes growth as the ability to accept what is fact and to handle change, whether the change is gradual or radical. Our desire to resist change for fear of being without a familiar structure requires us to grow in wisdom as we navigate the anxiety associated with the search for stability having lost all that is familiar to us. Our ability to properly function depends on our ability to grow accustomed to the solitary nature of life as we transition from where we are to where we feel we are destined to be. This brings about a new level of awareness, significance, and ultimately wisdom. The wisdom that God requires. &#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21987">
                <text>Description by ShaCarolyn Halyard</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="151">
        <name>awareness</name>
      </tag>
      <tag tagId="153">
        <name>change</name>
      </tag>
      <tag tagId="149">
        <name>growth</name>
      </tag>
      <tag tagId="152">
        <name>wisdom</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="3" public="1" featured="0">
    <fileContainer>
      <file fileId="355">
        <src>https://thurman.pitts.emory.edu/files/original/d0904d3ba82b22bf2548571ad85e4b59.pdf</src>
        <authentication>3e4c7ecd6c37b49d6a208c17551a8255</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="53">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="2774">
                    <text>Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

394-002_A.mp3
[CHOIR SINGING]

Pitts Theology Library
Emory University

Whither shall I go from thy spirit? Or whither shall I flee from thy presence? If I ascend up into
Heaven, Thou art there. If I make my bed in Hell, behold Thou art there. If I take the wings of
the morning and fly to the uppermost parts of the sea, even there shall Thy hand hold me, and
Thy right hand shall steady me. If I say, surely the darkness shall cover me, even the night shall
be light about me, the darkness hideth not from Thee, but the night shineth as the day.

The darkness and the light are both alike to Thee. For Thou hast possessed my reins. Thou hast
covered me in my mother's womb. How precious also are Thy thoughts unto me, O God. How
great is the sum of them. If I should count them, they are more in number than the sand. When I
awake, I am still with Thee. Search me, O God. And to know my heart, try me and to know my
thoughts, and see if there be any wicked way in me, and lead me in the way everlasting.
[ORGAN MUSIC]

We are continuing our discussion of disciplines of the spirit. And today we are considering the
discipline that is involved in achieving some measure of personal stability. As preparation for
our thinking, will you listen to these two selections, paying very careful attention to the last part
of each one of them.

The first is Matthew Arnold. "Only but this is rare. When a beloved hand is laid in ours, when
jaded with rush and glare of the interminable hours, our eyes can in another's eye read clear,
when our world-deafened ear is by the tones of a loved voice caressed, a bolt is shot back
somewhere in our breast, and a lost pulse of feeling stirs again. The eye sinks inward and the
heart lies plain. And what we mean, we say, and what we would, we know. A man becomes
aware of his life's flow and hears its winding murmur. And he sees the meadows where it glides,
the sun, the breeze. And there arrives a lull in the hot race, wherein he doth forever chase that
flying and elusive shadow, rest. An air of coolness plays upon his face, and an unwanted calm
pervades his breast, and then he thinks he knows the hills where his life rose and the sea where it
goes."

And then this. "The great hunger today is for a conception of human destiny, which has
significance for individuals, which will give them something to work on with a sense of
individual meaning that is not continually being invaded and frustrated by the fundamentally
irrelevant purposes of states and armies and navies and other historical or Manifest Destiny
tasks. The men we most admire and revere have and have had this sense of meaning in their
lives. It was so strong for them that they created an environment in which it could be realized or
effectively pursued. Their lives are not shaped by the accidents of history, although
circumstances may have given what they did is outperform. In any external environment, they
would have made their mark. In any external environment, they would have made their mark. Of
men of the sort, we can only say that they tapped intuitive resources that do not seem available to
the ordinary run of mankind. But if we say this, we ought to say something about how those
resources can be made available to mere individuals. What can a man do to get such inward
moral convictions and sense of destiny for himself?"

1

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

This is the question that I will ask you-- on which I will ask you to ponder after you leave the
service. Personal stability may be defined as the experience through which an individual passes.
When he thinks he has that which is of most importance to him.

Pitts Theology Library
Emory University

But I think I have in my possession that which is most important to me. I have personal stability.
Now, another definition may be personal stability is morale, private morale. And by private
morale I mean belief in your own cause, whatever that cause may be. A man may be said to have
personal morale when he believes in his own private enterprise. Now, personal stability is an
achievement of the spirit. It rests, sometimes, upon the possession of things that are important to
the individual, but the very existence of those things may be destructive to someone else.
My personal stability may rest upon the degree to which I am able to render you unstable. That's
what I mean. Alice Shriner has a very interesting allegory about this, an allegory about Hell. I've
read it to you sometime in these years that I've been reading.

She noticed when she went to Hell in this allegory that in the distance, men were digging holes,
but in the holes they didn't seem to put anything. They just dug the holes and then made a little
breastwork of some sort over the holes and then covered that with dirt so that the hole wouldn't
be there, except in fact. And she said to God, what are they doing? And God said, they're digging
holes. Why do they do this? They're digging these holes into which they think and hope that their
fellows may sink. But why do they want their fellows to do this? Because God said her, these
men think that they cannot rise unless their brother falls. And then she said, but God, are these
men sane? And God said, oh no, they're not sane. There's no sane man in Hell.
Personal stability that rests on someone else's instability. And this means, you see, something
that is very searching and it is not easy to arrive at a satisfactory working solution to the
problem. For instance, your personal stability as an American may rest upon the stability is
dramatized in some of our utterances as the American way of life, for instance.
But the American way of life in one place may be held secure in its place because its very
presence guarantees the insecurity of everybody else, except those that are included in the
stability itself. This is the problem with which the south is wrestling right now.

To guarantee stability with stability at the same time will be so extensive in character that it
includes a wider and wider area of human beings. This is why personal stability ultimately rests
upon something that is more than that which is private and intimate and personal. Sometimes
personal stability rests upon something that's very trivial, like money. Of course that money,
money's important, but it's trivial, isn't it? I can hear someone saying if you have it, its trivial.
[LAUGHTER]

So I say it for you so as to bring your minds back into focus. Now if your private morale rests
upon something that is trivial or something that the existence of which is in the hands of the ebb
and flow of the order of things to guarantee, then the initiative over your own personal stability
cannot conceivably be in your own hands, even in a limited way. I remember during the
Depression, it must have been about 1932 or 1933, I was invited to Buffalo, New York. Oh, I
didn't mean to say where it was. It's all right.

2

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

[LAUGHTER]

Pitts Theology Library
Emory University

I was invited to Buffalo, New York, by the YWCA and they asked me to spend a day holding an
all-day retreat for about 200 women. These women had requested the YWCA to provide some
moment, some experience for the deepening of their own sense of personal stability that they
may be able to tide their husbands over the great upheaval due to the collapse of the economic
structure.

During that period, men were committing suicide jumping out of windows, doing all kinds of
things, and there wasn't anything that could be done. Except the wives felt that if they could get
their hands on a deeper level, that they could touch some kind of resource that would start a flow
in them that could float the anxieties of their husbands. This would give them some basis of
stability that will hold until they themselves could catch their breath.
Now, sometimes the personal stability rests upon your own self-confidence. It may be that life
has been hard for you, that you have had to wrest from stubborn and recalcitrant and unyielding
hands just enough to hold you steady in your place that you have developed an attitude towards
life which says that no one makes any awards to me. I must grab everything and hold it against
all odds. I must lift myself by my own bootstraps.
I dare not depend upon any context in which I'm operating. If I lose my hold on my selfconfidence, nothing else is left. And this is very difficult, isn't it, when you see circumstances
moving in your direction that undermine this.

I remember reading a novel many years ago about two outlaw bands that met high up in the
Pyrenees in a pass between Spain and the other country. And they couldn't-- there wasn't room
enough for the two outlaw bands to fight each other, so they decided that the two leaders of the
outlaw bands would fight. And the rest of the outlaws became cheering sections.

Now one man was rather short in stature, wiry, elastic. The other man was big and strong and
had an overweening confidence in his ability to crush this little man. And the fight was on. Then
the novel described something that I wish I had the power to picture it to you as I lived it, as I
read it. The strong man found suddenly, apparently, or slowly, I guess that's more accurately
stated, that his strength was weakening. That his right arm did not respond to the order of his
mind, that his left arm just didn't do it. And all of his life, his whole sense of private morale, was
contingent upon the possession of a strong body that obeyed him.

And the novelist describes the panic, the slow evolving of panic in his face as he collapsed.
Because the little man had a hidden dagger rapier, I believe, or whatever it's called, and he stuck
him in a vital place. And as he bled slowly to death, this was happening. But he didn't know that
he'd been stuck. The only thing he knew was that his self-confidence was going because his body
no longer obeyed him.
Now all of this means that I must stop. That we are under obligation to achieve and maintain
personal stability if we would grow meaningfully into life. We are to select those bases for our
stability that will be able to transcend the vicissitudes of fortune and the accidents of life. And
this means that an individual stands within the web, as it were, of his life and he broods over his

3

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

total behavior, watching what he does as his stability, sense of personal stability, shifts from this
thing to that thing.

Pitts Theology Library
Emory University

And all the time, if he be wise and sensitive, he is assessing the grounds of his ability. Widening
these grounds, pulling it back, relenting, moving ahead, juggling with his environment,
externally, as it were, to find the area which even temporarily will yield to him an increasing
sense of morale. But ultimately, a man discovers that the only true basis for stability has to have
in it that which is so universal in character, that it does not know any age, any classification, any
creed, any particular faith, any particular altar, but that which binds and holds. For itself and for
all mankind.

Now in my thought, this is the function of religion. And any religion that is projected on a basis
that is less than that cannot possibly abide. So the prophet says, a curse on him who relies on
man, who depends upon mere human aid, for he is like something desert scrub that never thrives,
set in a solitary place in the steppes. But happy is he who relies on God, who has God for his
confidence. For he is like a tree planted beside a stream, sending his roots down to the water, his
leaves are always green, he goes on bearing fruit, when all around him is barren. And he looks
out on life with quite eyes.

I must find that which is big enough to absolve me from the limited narrow basis for my
stability. Big enough to hold against all the tensions of my life and my age and my generation,
my period in history. And if I do, then I will be able to stand anything that life can do to me. And
if I'm not, if I have not found this, well then maybe that the storm will carry me down. But if I'm
searching with all of my passionate endeavor, I will go down to my grave with a shout, and this
is man's destiny.
Walk beside us, O God. So runs my dream, but what am I, an infant crying in the night. An
infant crying for the light, with no language but a cry.
[CHOIR SINGING]

4

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="31">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="20746">
                  <text>Disciplines of the Spirit (1960, Marsh Chapel, Boston University, Boston, MA)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="22035">
                  <text>In this 8-part series, Thurman discusses a variety of topics related to the disciplines of the spirit, including growth, personal stability, commitment, dedication, actions, dualism, and redemption.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24080">
                  <text>1960</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24087">
                  <text>Descriptions by ShaCarolyn Halyard</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>AudioWithTranscription</name>
      <description>Audio that is shown through the 3Play Media embedded interactive transcript</description>
      <elementContainer>
        <element elementId="52">
          <name>Audio with Transcription</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="14195">
              <text>&lt;iframe width="100%" height="820" frameborder="0" src="/files/players/394-002_A.html" &gt;&lt;/iframe&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview, speech, lecture, or sermon</description>
          <elementTextContainer>
            <elementText elementTextId="20606">
              <text>Marsh Chapel, Boston University, Boston, Massachussetts</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="57">
          <name>Time Period</name>
          <description>The decade in which the recording was produced.</description>
          <elementTextContainer>
            <elementText elementTextId="23064">
              <text>1960s</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Original Title</name>
          <description>Title as transcribed from tape cassette</description>
          <elementTextContainer>
            <elementText elementTextId="24053">
              <text>Disciplines of the Spirit III: Personal Stability, 1960 Oct 9</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="2766">
                <text>394-002_A</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2767">
                <text>Thurman, Howard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2768">
                <text>Disciplines of the Spirit, Part 3: Personal Stability, 1960 October 9</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2769">
                <text>1960-10-09</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2770">
                <text>&lt;a href="http://pid.emory.edu/ark:/25593/rp8k9"&gt;MSS 394&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2771">
                <text>audio</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="2772">
                <text>&lt;a href="http://pitts.emory.edu/"&gt;Pitts Theology Library, Emory University&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13482">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/"&gt;&lt;img style="border-width:0;" src="https://i.creativecommons.org/l/by-nc/4.0/80x15.png" alt="80x15.png" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.  2019.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="20089">
                <text>GEOMETRYCOLLECTION(POINT(-7915565.7490374 5213612.6443988))</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21968">
                <text>In this third installment of Disciplines of the Spirit, Thurman is lecturing about personal stability. In this lecture, personal stability is defined as the experience through which an individual passes when he thinks he has that which is of most importance to him. An additional definition of personal stability used in this lecture is private morale, which is the belief in one’s cause, whatever it may be. At times personal stability rests on the instability of others which has and continues to have far-reaching consequences that are typically problematic. At times personal stability rests upon our self-confidence which can ultimately fail us if our area of self-confidence is challenged. Thus, we must find that which is big enough to absolve us from the limited narrow basis for our stability. We must find that which is big enough to hold against all the tensions of our lives, age, and generation.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21988">
                <text>Description by ShaCarolyn Halyard</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="29">
        <name>experience</name>
      </tag>
      <tag tagId="76">
        <name>stability</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="4" public="1" featured="0">
    <fileContainer>
      <file fileId="356">
        <src>https://thurman.pitts.emory.edu/files/original/026c9ba1cce0a7c5acc55a0c73f5f910.pdf</src>
        <authentication>95867f1fc2edab7d780ec640350fc1c4</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="53">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="2783">
                    <text>Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

394-002_B.mp3
[MUSIC PLAYING]
(SINGING) [INAUDIBLE]

Pitts Theology Library
Emory University

We welcome the opportunity to sit together in the congregation and to sense the presence of
others whose lives move in quest of the same quality of illumination and understanding as we
ourselves seek. It is so comforting to be preoccupied with ourselves, our needs, and all that those
needs indicate in terms of the behavior of our lives. Our own dreams, to which, in the silence, we
may give wings with the hope that their stirring flight might bring to leaden feet a lighter
movement, a quicker step.
It is so reassuring and comforting to be preoccupied with our little world and all the things that
go to make it pulse and beat and throb. We tear ourselves away from such preoccupation as we
wait in the silence before God. For there are those others, far removed from us by land and sea
and air, by cultures and civilizations and faiths and religions, who must be gathered in to sit
beside us in the quietness.

Those people who live in countries where the fever is high, where violence walks up and down
the streets and is the companion of all the retreats of the human spirit. For all those who are
denied food and shelter through no merit or demerit of their own but whose lives are cast in hard
and barren and arid places. For those lonely watchmen on the towers of our times. The prophets
who speak, and those who dare not speak. The statesmen who agonize, seeking some answer to
the riddle by which their days are surrounded and their aspirations are choked and stifled.
For all of those who have a broad and deep sense of responsibility for the total life, we bring
them to sit beside us in the quietness. And, O, God, as we share our spirits with their spirits,
gather us in by Thy love and understanding so that we shall have a new faith in life. And the
great dread that hangs over us about tomorrow will be seen, penetrated, and transcended.

And if, by some little grace, so great a benediction as ours, we give the quiet, muted praise of our
distracted hearts, O, God, our Father.
[MUSIC PLAYING]

We continue our thinking together about the disciplines of the Spirit, and today, we begin with
commitment and its significance. For any persons who may be interested in pursuing the basic
idea on which we shall be working in this aspect of our discussion, I suggest two books to you.
One is Kierkegaard's Purity of Heart, which is a classic study of this particular aspect of the
religious struggle and the religious fulfillment.

And the other is a play written about 25 years ago by Charles Morgan, and he calls it The
Flashing Stream. This is a study of commitment from an angle that is more spiritual than
religious, but very interesting. I want to read, as a background, a poem which suggests the heart
of the idea.

1

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

"All night, the fury of contending will--" get the picture. "All night, the fury of contending will
raged in my head, until my bed seemed the tormented world that devils fill. With anguish mixed
and hungry violence, I waited for the day with muted sense. Too dry to weep, even my terror is
dumb, as if, while body wait, spirit were numb.

Pitts Theology Library
Emory University

At last, as though I lay upon a hill above a valley, choked by envenomed form, trackless and
dark, I saw a spark strike down from heaven, whence a stream was born, which flowing from the
zenith to the sea, fierce and unswerving as the zeal of saints, had yet the saints' reserved
tranquility. And gave to Earth its genius unconfined-- the soundless passion of a single mind."

Deep within every man, there is a profound sense with reference to the meaning of life itself.
Now, this sense may say to him, in terms of the way in which this sense [INAUDIBLE] the ideas
in his mind, that life is finished, that life is fixed, that life is set, that it is hard, not in a moral
sense, but in a constituent sense.
Now, if a man, deep within himself, is convinced that is the nature of life, then, in his attitude
and in his functioning, he says that there isn't anything that he can do about anything. That life is
as it is, and it cannot be altered. The slang phrase that we use is, this is the way the cookie
crumbles. This is a phrase we use.
Now, it is fortunate if such a man be circumstanced advantageously in society, it's a wonderful
thing. If he is in a position that is secure and advantageous, it is a wonderful thing for him to
know, to be convinced, that this is the way it is, and nothing will change. Nothing. Nothing can
change.
On the other hand, if he believes that life is dynamic, if he believes that there is what may be
called a fluid characteristic in life, of life, that it is moving, it is creative, is essentially
unfinished, then such a man knows-- in the things that he does and the attitudes that he takes
towards the order of his life or the order in which his life is cast-- that always there is, riding to
the front, a sense of alternative, a sense of option.

And he knows that there is always something that can be done about life. Now, if such be his
position-- and in my judgment, this is the spiritual, this is the religious, this is to the most
fundamentally productive attitude-- then commitment becomes the experience through which a
man passes when, deep within himself, he makes a selection of values and proceeds to lift this
selection of values into the dimension of the absolute.

He says that with my life, I can make the choice between that for which I am willing to stand and
that against which I stand. Now, this is very fundamental. And commitment means to say yes
totally to that to which you have said yes with the nerve center of your consent. Now, there are
many things, external things, that may create commitment in this sense artificially.
During periods of national crisis, for instance, when there is a common threat, there is a sense of
commitment and a sense of dynamic that is inspired by such commitment on the part of all the
people involved. Let me illustrate it simply. I talked with a man who is the patriarch of the
Coptic church. He had spent some 25 years as a desert monk living in a cave in some part of the
Sahara.

2

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

Pitts Theology Library
Emory University

And he talked about how life was so hard there. Existence was so difficult that every living thing
tended to relax its self-regarding instinct and envelope the other forms of life around it so that,
together, they might survive. For instance, he said, for many months, my companion was a
hyena. We lived together in this little hole on the side of the hill. He knew that life was hard, and
I knew life was hard. And the only way that we could survive would be to get together. I found,
for instance, that even the snakes in the desert and I began to have a quiet kind of communion.
Now, it may be, you see, that what, as individuals, we are unable to do, unwilling to do, the
externalities of our circumstances may force us to do. But commitment of this character is very
limited in quality because as soon as the pressure, the external pressure that galvanizes it into
place is released, then the old behavior patterns reassert themselves, or tend to reassert
themselves.

Now, there are certain things which work against commitment, certain things. Sometimes we say
that there is some evil something that has happened to me. You may, as a friend of mine-- when
he was a baby, his father dropped him, and his left leg and thigh were injured so that as he grew
into boyhood and manhood, he was permanently limited to movement by a crutch, a cripple.
And for a long time, any thought in his mind which had to do with the possibility of his giving
himself totally to some cause or purpose or movement, the significance of which would be more
important than his own life, any time he was confronted with such a possibility, he reverted to
the fact that he was a cripple. Until one day, he said he stopped resisting this evil thing. He
moved into it, penetrated it, and established an independence of it. He freed his inner life from
the necessity to seek refuge from any surrender to anything other than his crippledness.

And when you see him today, you'll remember, after seeing him and after talking to him, that he
is crippled. This is what I mean. Sometimes we use other things to keep us from being willing to
yield the nerve center of our consent. We say, there's nothing much to me. I'm not really very
much. What I can do isn't much. What difference will it make if I do this or I do not? No one can
possibly accept me and my gift, even though my surrender is absolute and the nerve center of my
consent is total, and I put at the disposal of it everything that I have. What I have is nothing.

Rufus Jones tells about a farmer near his home in South China, Maine, who had a commitment, a
very quiet thing. But it was to take the thing that the French represent, their kind of witness in
their hostels in other countries, to take this to the Middle East. He was a so-called potato farmer.
Not quite illiterate, but almost. And when the first day meeting came, he stood in the midst of the
little Quaker fellowship and gave testimony that this was his concern, this was his commitment.
And in the silence that followed, there was complete rejection. And everybody thought, he is just
a poor, almost illiterate farmer. What on Earth can he do with something as tremendous as this?
He at least should be a college man, and he should have traveled the world a little. He should
know something about these people and so forth and so on. He isn't even sophisticated. So the
Spirit did not say yes in the meeting.
So he went to the quarterly meeting. And at the quarterly meeting, the silence was dramatic and
effective. Then he went to the yearly meeting. And at the yearly meeting, the same thing
happened. And then he went to the five-year meeting. And at the end of that time, the silence

3

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

was just as it was before-- an utter rejection. And then Rufus Jones says, the man sold his farm,
went to the Near East, and established it.

Pitts Theology Library
Emory University

Now, all of this adds up to one very simple thing with which I want to lay our foundation-- that
this is the kind of world in which the individual who is able to bring himself to a point of consent
with reference to an end which, to him, is more significant than is his particular life, such a
person moves at once on the receiving end of boundless energy which becomes, at his command,
that which makes of His little desire, his little energy, his little gift, a tremendous energy, a
tremendous desire, a tremendous gift.
Therefore, if where you sit this morning, you are saying to yourself that the tasks of life are so
big and you are so little, that if you are saying that what is required is so great and what you have
to give is so insignificant, if you are saying that this is the kind of world in which only a certain
select persons are instruments in the hands of the living vitality, of the living energy of the living
God, may I suggest to you that where are you are-- if you are able to yield the nerve center of
your consent to something which, to you, as you are, is more important even than whether you
live or die, then yield to it.
And let the vast creativity movement of the living spirit of the living God course through you at
the point of your commitment. And your strength is magnified. Your qualities become enlarged.
And what you are able to do becomes not a sacrifice but a sacrament. And this, this is the basis
of the Christian doctrine, which insists that the heart and the mind of man must be surrendered to
the Kingdom of God. And all else flows from the absolutism of that kind of commitment.
Leave us not alone, our Father, despite our sense of weakness and inadequacy, that Thy spirit
may find in us nothing that blocks and hinders but all that makes it free-flowing to the end, that
we may do Thy thing as our thing. This is our prayer, our Father.
[MUSIC PLAYING]
[CHOIR VOCALIZING]
(SINGING) Amen.

4

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="31">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="20746">
                  <text>Disciplines of the Spirit (1960, Marsh Chapel, Boston University, Boston, MA)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="22035">
                  <text>In this 8-part series, Thurman discusses a variety of topics related to the disciplines of the spirit, including growth, personal stability, commitment, dedication, actions, dualism, and redemption.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24080">
                  <text>1960</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24087">
                  <text>Descriptions by ShaCarolyn Halyard</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>AudioWithTranscription</name>
      <description>Audio that is shown through the 3Play Media embedded interactive transcript</description>
      <elementContainer>
        <element elementId="52">
          <name>Audio with Transcription</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="14196">
              <text>&lt;iframe width="100%" height="820" frameborder="0" src="/files/players/394-002_B.html" &gt;&lt;/iframe&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview, speech, lecture, or sermon</description>
          <elementTextContainer>
            <elementText elementTextId="20607">
              <text>Marsh Chapel, Boston University, Boston, Massachussetts</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="57">
          <name>Time Period</name>
          <description>The decade in which the recording was produced.</description>
          <elementTextContainer>
            <elementText elementTextId="23065">
              <text>1960s</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Original Title</name>
          <description>Title as transcribed from tape cassette</description>
          <elementTextContainer>
            <elementText elementTextId="24054">
              <text>Disciplines of the Spirit IV: The Single Mind, 1960 Oct 16</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="2775">
                <text>394-002_B</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2776">
                <text>Thurman, Howard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2777">
                <text>Disciplines of the Spirit, Part 4: The Single Mind, 1960 October 16</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2778">
                <text>1960-10-16</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2779">
                <text>&lt;a href="http://pid.emory.edu/ark:/25593/rp8k9"&gt;MSS 394&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2780">
                <text>audio</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="2781">
                <text>&lt;a href="http://pitts.emory.edu/"&gt;Pitts Theology Library, Emory University&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13483">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/"&gt;&lt;img style="border-width:0;" src="https://i.creativecommons.org/l/by-nc/4.0/80x15.png" alt="80x15.png" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.  2019.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="20090">
                <text>GEOMETRYCOLLECTION(POINT(-7915565.7490374 5213612.6443988))</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21969">
                <text>In this fourth lecture of Disciplines of the Spirit, Howard Thurman discusses commitment and its significance. Deep within every man, there is a profound sense regarding the meaning of life itself. Those that believe that life is dynamic and essentially unfinished tend to also be of the mindset that there are always alternatives and options to be considered. In these instances, commitment becomes the experience through which a man passes when, deep within himself, he selects values and proceeds to lift this selection of values into the dimension of the absolute. While commitment consists of offering our yes completely, there are external forces that support and hinder our commitment. When yielding our consent to a cause that is more significant than life, the little that we have becomes a tremendous force. When our commitment involves the total surrender to the Kingdom of God, our strength and qualities are magnified.   </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21989">
                <text>Description by ShaCarolyn Halyard</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="141">
        <name>commitment</name>
      </tag>
      <tag tagId="142">
        <name>values</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="5" public="1" featured="0">
    <fileContainer>
      <file fileId="357">
        <src>https://thurman.pitts.emory.edu/files/original/943ea7f94a61d806706e56c053d50bbe.pdf</src>
        <authentication>46c3dcf618b7db32682de81a096ddcec</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="53">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="2792">
                    <text>Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

394-003_A.mp3
[MUSIC PLAYING]
[CHORAL SINGING]

Pitts Theology Library
Emory University

[INAUDIBLE] deeply distressed because there is so much that is dependent upon us as
individuals carrying specific responsibilities within a world which is small, and compact, and
demanding. So overwhelming is this kind of pressure upon us that we are tempted to rely on,
despite all of our inadequacies, upon our own strength.

Again and again, we say to ourselves, if I do not depend upon myself, if I do not depend upon
that which I am able to do for myself and those for whom I am responsible, then there is no other
source upon which I may be dependent. And even as we say it and as we feel it, our minds are
flooded with multitudinous instances in which strength did come to us that was not of our
making. A lift to our burden did come, even though it could not be measured by anything that we
ourselves were doing.

All around us, there are these surprises of kindly interference manifest of the grace of life and the
tenderness and the mercy of God. And thus, when we sit together in the sanctuary, waiting in the
great silence for the movement of the spirit of the living God in the mist, our hearts are wooed
into thanksgiving and praise for so much that has come to us, transcending our merits and our
demerits, so much thoughtfulness, so much reassurance, so many little ways by which our spirits
have been renewed and revived.
And thus so, God, even against our disposition, we offer our thanksgiving to thee. Accept it, our
father, as our sacrament and as our offering to thee, totally, wholeheartedly, that after this hour
has passed, we may know, each for himself, that we are thy children. And thou art are father.
[MUSIC PLAYING]

We are continuing our thinking together on the general theme of disciplines of the spirit. And we
are picking up this morning the threads of our discussion of two weeks ago on commitment,
giving particular attention to one of the strange and puzzling aspects of commitment, and one
with which my own mind and spirit have wrestled for a long time. And even now, I'm not sure
what it means. For somehow, at the heart of what is at work in a man, which makes him become
a worshipper of his commitment rather than of that to which he is committed continues to elude
me.
But as a background for our thinking about it this morning, will you listen to these words by
John Neihardt?

"Let me live out my years in heat of blood. Let me die drunken with the dreamer's wine. Let me
not see this soul-house built of mud go toppling to the dust, a vacant shrine. Let me go quickly,
like a candle light snuffed out just at the heyday of its glow. Give me high noon, and let it then
be night. Thus, would I go.

1

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

And grant me when I face the gristly thing, death, one haughty cry to pierce the grave perhaps.
Oh, let me be a tune swept fiddle string that feels the master melody and snaps."

Pitts Theology Library
Emory University

There seems to be, deep within the spirit of man, a nostalgia for perfection, as if there is an echo- no, no, not that-- a rumor moving through all of the corridors of a man's life that perfection is
his heritage, and perfection is his goal. This is a very extraordinary thing, this nostalgia for
perfection that we all have.

Socrates suggested that we have it for a very interesting reason. We don't have to accept his
doctrine, but it's instructive for the groundwork that we want to lay. Socrates says that the soul of
man has an existence prior to his body. Don't let yourself get all confused by this. But just listen
until the point. And then get the point and forget the details.
These souls spend all of their time, before they get into the body, you see, in the presence of
God. Naked souls in the presence of naked knowledge, naked purity, naked wholeness. This is
the picture.

And then the time comes for the soul to get into a body, you see, as if you were being
parachuted. And as soon as the soul hits the time-space involvement, the body is ready. And all
the time that the body is alive, the soul carries with it that which it had distilled from this
timeless experience in the presence of God. It knows all things. Everything is open to it.
Therefore, the Socratic method, bring even the slave into the midst of the academy, and ask him
a series of skillful questions. And little by little, the onion will peel.

And any knowledge known to man is known to any man. If you keep asking the right questions,
little by little, the mind will get its hands on the secret of the soul. This notion that perfection is
the heritage and the goal of man, this nostalgia for perfection-- oh, it expresses itself in a lot of
little ways. I don't want to spend too much time on this aspect of it. But you don't ever do
anything the way that you are sure that you are capable of doing it, do you? You know?

Always the deed is being monitored, monitored by perfection. And we even dare to dream that if
we could live long enough, then there would be time enough, time sufficient to iron out all the
limitations, to do the perfect thing, to be the perfect thing. Therefore, the master says, be perfect.
As your heavenly father is perfect, it's a reverberation of the same refrain, this nostalgia in the
human spirit for perfection.
Now, when a man is committed, when he brings to bear upon a single end all of the resources of
his life, given their impetus and their guidance by the yielding of the nerve center of his consent,
he is apt to apply his nostalgia for abstract perfection to the quality of his commitment. Now, it
happens that we are not perfect. Just incidentally, we are not perfect
Because we are free, more or less. And freedom means, if it is real, means the possibility of
error, so that the conflict is very present in all of us-- the nostalgia for abstract perfection, the
recognition, that we are ourselves are not perfect. Now, if in my commitment, if I can make my
commitment sufficiently fierce, if I can make my commitment sufficiently absolute, if I can
make my commitment sufficiently binding, then the integrity of my commitment becomes the
way by which I fulfill the private demands of the nostalgia for abstract perfection in my life.

2

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

So I offer the integrity of my commitment, the almightiness of my commitment. This is my
perfection. And any relationship that I have with other human beings that reveals limitations, that
reveals error, the closer I get to them, the more I feel threatened by them.

Pitts Theology Library
Emory University

So, if my commitment is fierce and is as absolute as it is within my power so to make it, then all
human beings who are not caught up in that same kind of commitment threaten the emotional
security of my life, as I seek to fulfill the demands of my commitment. This is a terrifying thing.
It makes me hard. It makes me unyielding.

For if I admit the error which is characteristic of human beings, then this error involves me, for I
am a human being. And if I let myself become involved in this error, then it follows that I can
not be bound, then, by the intensity of my commitment.
Are there many illustrations of this? Have you ever seen anyone who was so fierce in his
commitment, so absolute in his commitment, who found no flaws in the integrity of his
commitment, and who was an impossible human being? Just impossible.

For all the time, the judgement that he passed upon others was a judgment that was derived from
his sense of meeting an abstract demand for perfection. And when he applied his life to the deeds
in which he was functioning, all of the reasons why he was unable to do his perfect thing was not
because he was a human being, but because other human beings were not committed. And if I
can get all the human beings committed, then we will all be together.

It isn't my fault that the thing to which I'm committed breaks down. It's these others, these others.
So if I can make them committed, then the perfection will fulfill itself. For whatever it takes to
bring them under, I will do it, for the good of their souls.
Hence, the inquisition not by bad men, no, but by consecrated men, men deeply convinced
interiorly. But they had a moral demand placed upon them. And that was to bring you in, so that
your existence would no longer be a threat to the integrity of their response to the nostalgia of
abstract perfection.

This throws some light on one of the most exciting human beings in our political history. And
what I'm about to say now has no political overtones. Any political overtones that you get from
this are irrelevant. I've often been puzzled by Woodrow Wilson, a man of fierce, fierce intensity,

a man who by the sheer illumination of his whole-hearted commitment was able to stand for one
staggering moment at the pivotal center of all life on the planet. He had given himself
wholeheartedly to response to the nostalgia of abstract perfection. Hence became his
commitment. But being a man of deep piety, from within the context in which he moved, and I
speak with great-- what's the word?-- great reverence for his personality. From within the context
in which he moved, he was doing this for God.
It was out of his piety, this deep piety, this baptism in the insights, certain of the insights, of the
Bible, the fierce kind of consecration of his life, it is out of this that he felt that he was moving.
And with what result? You remember.

3

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

Pitts Theology Library
Emory University

In the book by McCombs, How I Made Woodrow Wilson President-- you may recall reading it
when you were younger-- after McCombs, according to McCombs' story, had made it possible
for Wilson to get the nomination to become governor of the state of New Jersey, which sort of
eased him, sort of made the transition from Princeton, a rather awkward transition, more
comfortable, and McCombs took the machinery provided by the Princeton connection, and as it
were, moved it over and over and over again until it became a nationwide thing, the result was
the landslide.
This wasn't the only reason. There are a lot of other reasons. But the fact is that there was the
landslide. And when the landslide was over, McCombs and Wilson met. And McCombs said to
Wilson, I've come to talk and congratulate you. But before McCombs could get his words out,
Wilson said, now, let it be understood, I was not made president by any act of man.

No man could have defeated the will of God in this regard. I owe you nothing. God made me
president. And then a little later, after the First World War, and there was a man in the Atlanta
federal prison, Eugene Debs, who'd been there a long time. And many forces of goodwill in the
country were concerned about this. We need not involve ourselves at the moment in the merits or
the demerits of the case, but the issue is clear.
When they appealed to Wilson, they were sure that the man who had spoken on behalf of all of
the downtrodden and the people who had been under the foot of the tyrant would, out of what
does God require thee but to do justly, to love mercy, give this man Debs his freedom. And
Woodrow Wilson, on the grounds of the integrity of his moral commitment, could not do this.
And then I came into the White House after that. A man with whom moral commitments had had
no association scarcely, and whose whole life, in that most responsible office which we have,
was not a very happy one, for the health of the land, Warren Harding opened the doors for Debs
to walk out.
Now, what does this mean? What does it mean, whatever may be your thoughts about these
issues around the situation? When a man feels that the integrity of his commitment satisfies the
demands of perfection, which haunts all of us, then an important eclipse takes place in his spirit.
He is cut off by the very nature of such intensity from open and free access to that to which he is
committed. Men do over and over, on behalf of God for God's sake, out of great moral intensity
and fervor, that which violates even what they themselves experience as the living God.

I make of my commitment an idol when the commitment itself becomes more important than
that to which I am committed. This is all I'm trying to say. When I close the circuits then I can no
longer be influenced by the vitality and the power and the dynamism of that to which I am
committed.
Thus, the man prayed, I thank thee, oh, God that I'm not like the rest. I am committed to thy law.
I pray five times a day. I pay my tithes. I do all the things which are demanded of me out of the
integrity of my commitment. I'm not even like the man with whom I must share the temple now,
the tax collector.
And the tax collector, oh God, God, God, Be merciful unto me, a sinner. A sinner. A sinner. The
words are so weak, the wisdom so circumscribed by inadequacy, the life so full of blemishes, oh

4

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

god. Take the weak words, the imperfect wisdom, the sinful life, fill them with thy glory, that thy
truths may not die. And for us, our father, this is enough.
[MUSIC PLAYING]

Pitts Theology Library
Emory University

(SINGING) Amen.

5

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="31">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="20746">
                  <text>Disciplines of the Spirit (1960, Marsh Chapel, Boston University, Boston, MA)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="22035">
                  <text>In this 8-part series, Thurman discusses a variety of topics related to the disciplines of the spirit, including growth, personal stability, commitment, dedication, actions, dualism, and redemption.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24080">
                  <text>1960</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24087">
                  <text>Descriptions by ShaCarolyn Halyard</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>AudioWithTranscription</name>
      <description>Audio that is shown through the 3Play Media embedded interactive transcript</description>
      <elementContainer>
        <element elementId="52">
          <name>Audio with Transcription</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="14197">
              <text>&lt;iframe width="100%" height="820" frameborder="0" src="/files/players/394-003_A.html" &gt;&lt;/iframe&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview, speech, lecture, or sermon</description>
          <elementTextContainer>
            <elementText elementTextId="20608">
              <text>Marsh Chapel, Boston University, Boston, Massachussetts</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="57">
          <name>Time Period</name>
          <description>The decade in which the recording was produced.</description>
          <elementTextContainer>
            <elementText elementTextId="23066">
              <text>1960s</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Original Title</name>
          <description>Title as transcribed from tape cassette</description>
          <elementTextContainer>
            <elementText elementTextId="24055">
              <text>Disciplines of the Spirit V: When Commitment Becomes Idolatrous, 1960 Oct 30</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="2784">
                <text>394-003_A</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2785">
                <text>Thurman, Howard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2786">
                <text>Disciplines of the Spirit, Part 5: When Commitment Becomes Idolatrous, 1960 October 30</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2787">
                <text>1960-10-30</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2788">
                <text>&lt;a href="http://pid.emory.edu/ark:/25593/rp8k9"&gt;MSS 394&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2789">
                <text>audio</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="2790">
                <text>&lt;a href="http://pitts.emory.edu/"&gt;Pitts Theology Library, Emory University&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13484">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/"&gt;&lt;img style="border-width:0;" src="https://i.creativecommons.org/l/by-nc/4.0/80x15.png" alt="80x15.png" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.  2019.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="20091">
                <text>GEOMETRYCOLLECTION(POINT(-7915565.7490374 5213612.6443988))</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21973">
                <text>In this fifth lecture in the Disciplines of the Spirit series, Howard Thurman discusses the propensity to idolize perfection in our commitments. When we worship our commitment rather than that which we are committed, we give up the ability to be influenced by the vitality, power, and dynamism of that to which we are committed. This is especially true of our moral commitments which, when idolized, violates our experience of the living God.  </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21990">
                <text>Description by ShaCarolyn Halyard</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="141">
        <name>commitment</name>
      </tag>
      <tag tagId="143">
        <name>idolatry</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="6" public="1" featured="0">
    <fileContainer>
      <file fileId="358">
        <src>https://thurman.pitts.emory.edu/files/original/f44de59b6395fd45e39492c3694cdf0a.pdf</src>
        <authentication>0e310d0887929ed94a31d7debe02947c</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="53">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="2801">
                    <text>Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

394-003_B.mp3
[CHOIR SINGING]

Pitts Theology Library
Emory University

Our spirits-- yea, the spirits of all men of good will are deeply troubled this day as we sit together
in the quietness before God. The quietness that surrounds us is broken by the angry noises of the
violent, the hard sounds from the bitter and agitated hearts that have ascended during this week
that has passed in New Orleans.
Our silence is broken by the mute, inarticulate bewilderment of three little girls who have no way
by which in their little lives to handle so gross an expression of life. It is broken by the anguish
of their mothers and their fathers. And in the quietness, we bring them here with us, sitting by
our sides. And we bring the angry criers of violence with us, sit them by our side as we wait in
Thy presence, oh God.
We have no words to say. Even our thoughts are paralyzed. Our hope shimmers and sometimes
fades in the darkness.

But Thou has taught us that Thou art the God of the darkness and the light. And in the darkness,
we reach for Thy sustaining hand. That strength and wisdom and hardness of mind can somehow
be coupled with tenderness of heart. That Thy Spirit may walk again in the midst of Thy
children. Oh God, God, God, leave us not. Leave us not, our Father.
[CHOIR MUSIC PLAYING]

Be not afraid because the sun goes down. It brings the sunset and the plover's cry. Before the
colors of the evening drown, the stars will make new colors in the sky. Night is no enemy. She
passes by and shows us silence for our own heart's good.

For while we sleep, the roses multiply. The little tree grows taller in the wood. Fear not the night.
The morning follows soon.
Each has his task to make the earth more fair. It is by these, by midnight and by noon, that she
grows riper and her orchards bare. Her fields would wither in a sun too bright. They need the
darkness too. Fear not the night.

The topic may be misleading for it is not quite the time and the journey that we are undertaking
to examine for our enrichment together the suffering and evil as disciplines of the spirit. But I
didn't know how else to find a peg to hang what I wanted to say on, so I use the subject that's
indicated here, the evil and the good.
I am continuing our thinking together about certain aspects of commitment. The mind and the
spirit too, I suppose, are very peculiar things. There comes a moment when you're sure that the
insight that has broken, and you see very clearly what it is that you must say. And even as you
find yourself saying it, you know that this isn't it.

1

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

So those of you who may have a sufficiently extensive recall and who were here when we began
working on commitment-- if you think that everything that I'm saying this morning I said four
weeks ago, now you may be right. But I don't think so. Something eluded me, and it has worried
my spirit and my mind. So we will try again to get at this.

Pitts Theology Library
Emory University

Commitment is a dedication. It is the offering of whatever it is that one has to something which
seems to the offeror to be so supremely [? wistful ?] that all that one has to give is not enough.
Now, this sort of experience for the human spirit is possible, I think, because of the nature of life
and the kind of vitality that life itself represents.

As I have said over and over again, that life is alive. That this is a living, breathing, pulsing
existence which is ours. And that the mind and the spirit of man can brood with concentration
over the stubborn and unyielding and recalcitrant stuff of life. Until at last, this stubborn,
unyielding, recalcitrant stuff begins to shape itself as the objective manifestation of the thing that
is held at dead center in the mind.

This is the kind of world that guarantees that kind of experience. And there seems to be a
mechanism or that's not-- a principle, I guess is a better word-- and that that operates almost
automatically. When I meet the conditions, the energy flows. When I am able to bring myself
into focus, around a single end, I find my life energized. And this seems to operate automatically.
And I will hold that in mind as we pursue it, because I'll come back to it at the end.
Now, commitment does certain very important things for the life. It gives structure to the life. It
gives order, not order in general. You see, there is in all life-- in your life, in my life-- a certain
organic order, a certain behavior pattern that our organs follow, certain organic patterns that go
to make up our individual lives. I don't mean order of this kind, but order that becomes capable
of putting the inherent order in the life at the disposal of a new demand.

This gives structure to the life. It gives meaning. It provides the individual with a writhing sense
of judgment with reference to anything that he does. The simplest thing now is defined in terms
of where his life is headed. Even his ethical values, his idea of right and-- his experience, rather,
of right and wrong becomes meaningful to him in the light of the bearing that the deed has on
what for him is the meaning that his life has.
So to state it in another way, commitment provides a basis of integrated action for the life. So
that one does not have to refer externally to find out whether or not this is the bearing that I
should take, or that is the bearing. But the thing that determines which way you go is the hard
core of purpose around which your particular life is organized.
This defines your goal. This even determines what you mean by right and wrong. This sits in
judgment on how you spend your time, what is wasted time and what is not wasted time.

Now, the second thing that commitment does is to inspire or to encourage-- well, inspire is a
better word. It inspires a willingness to give up anything that comes between you and this central
devotion. Anything that blocks the way, more and more I am under the necessity to remove it.
Now, the thing that blocks the way may be a good thing in itself. It may be very useful, very
wonderful. But in terms of what my life means, this thing is a deterrent. So that all the time, you

2

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

see, I pass a judgment upon the things in my life in times not merely of what they are in and of
themselves. But what do they do to me in terms of making it possible more and more or less and
less for me to make a complete and fundamental and utter surrender of all of my life to that to
which I am committed.

Pitts Theology Library
Emory University

So the master says, if your arm does this thing, cut it off. If your eye does it, pluck it out. That's
very extreme language.

So let us not say, well, since I know he doesn't mean that literally, so let's not waste any time on
that detail. But what he does say, you see, is precisely this. That only I can tell whether or not
this very precious thing that I have is slowly, quietly pulling me away. So that more and more,
the meaning of my life becomes less, and less, and less, and less.

It inspires a willingness to surrender, to sacrifice anything, and even under certain circumstances
to sacrifice one's life. And this is the thing that finally the master faces. It is better to say yes to
that imperious pull that holds in its hands the creative synthesis of all the meaning that I can
garner out of living. It is better to say yes to that than to go on living, because I'm afraid to die.
And there isn't anything dramatic about this. It is just the quivering response of the life of a man.
Simply this and nothing more.
But there's a third thing. And this is the part that may not still be clear. Commitment insists that
all life, all people must be divided into two groups, the committed and the uncommitted, with
nothing in between. The committed, the uncommitted. And the functional significance of the
committeds is to see that more and more, the number of the uncommitted will be less and less.

So an attack is made by the committed upon all whose minds have not been made up or all who
are not already in the way. This is the genius of the missionary impulse. This is why you want to
get as many people to think as you think about things. And if they don't think as you think,
there's something that may be just a little off about what they think. Not terribly off but they'll
see the light is the phrase we use. And when they see the light, what does that mean? They will
see the light that I see.

Now, why is this necessary for the committed? This is the thing that I think I see. Because one of
the problems that the committed individual faces-- suppose I'm wrong. What if after all the
discipline of my life, I have placed everything upon this altar and find that the God of the alter is
dead, dead, dead, dead? How can I protect myself from self-deception?
This is the heart of the problem. So a part of the meaning of trying to enlist other people in your
commitment is the almost unconscious activity of the human spirit to try to guarantee itself
against error in its own commitment.
Now, one more little step. The commitment may be to something that is evil. It may be to
something that is against life. And the searching problem is this.
Does the same principle hold to the man who is committed to an undertaking that is diabolical in
its fulfillment and significance that holds for the man who is dedicated and committed to

3

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

something that is good, and creative, and constructive? Is there any difference in the dynamics of
the experience of commitment? This is the heart of the problem.

Pitts Theology Library
Emory University

I have two suggestions to make, and I'm not-- and I'll mix the [INAUDIBLE] many minutes, if I
can. The first is that in one sense the fact that that to which a person is dedicated or committed is
good or evil is beside the point. Now, you may not think so. The simple, crude illustration is that
if I planted healthy strawberry seeds and the soil is right, the conditions are met, growth will
follow automatically. And that's wonderful, because strawberries are good to eat, and they do
wonderful things to the palate.

Now, if I planted poison ivy seeds that are healthy and the conditions for growth are met, the
poison ivy seeds will grow. Now, the fact that poison ivy gives me a rash, and a temperature, and
under certain circumstances, may even short circuit my life is beside the point. Now, there's this
element at work here.
But as a religious man, I am convinced, you see, that ultimately, this is the kind of universe that
cannot-- that does not sustain the evil enterprise. But there was a time interval, a considerable
time interval, when the evil enterprise and the good enterprise-- as far as the dynamics of the
experience of commitment are concerned-- you cannot tell the difference between them.
But there's something very subtle about goodness, and this I do not understand. And it is that
there's something about goodness that seems to lull people into less strenuous activity. I don't
quite know how to say this. But for instance, a person who is dedicated to something that's
against life-- organizes, puts all of his energy at it, will not permit any defects, deflections-- if
you sign up, you have it. And if you don't carry through, then you are liquidated or something
like that.

But there's something about goodness-- and I don't understand this. There's something about
goodness that seems to give you a feeling that goodness will somehow good its way through the
world-- just good its way. You don't have to have any brains. You don't have to have any
resources. All you have to do is to have a good heart, and you can rent out everything else that
you have.

Now, the man who has been [? unevil ?] knows that he can-- he must lay a mortgage on
everything that he has. There are two great majorities, those who are dead, and the great host that
remains yet to be born. We are a thin minority who live. And we must carry the torch of God
unanimously, because we are a thin minority.
Our words are even more feeble than our thoughts. Our thoughts are weaker than our striving.
You give to all of us the great, redemptive benediction of Thy Spirit as we separate one from
another, our Father.
[CHOIR SINGING]
[CHOIR MUSIC PLAYING]

4

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="31">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="20746">
                  <text>Disciplines of the Spirit (1960, Marsh Chapel, Boston University, Boston, MA)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="22035">
                  <text>In this 8-part series, Thurman discusses a variety of topics related to the disciplines of the spirit, including growth, personal stability, commitment, dedication, actions, dualism, and redemption.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24080">
                  <text>1960</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24087">
                  <text>Descriptions by ShaCarolyn Halyard</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>AudioWithTranscription</name>
      <description>Audio that is shown through the 3Play Media embedded interactive transcript</description>
      <elementContainer>
        <element elementId="52">
          <name>Audio with Transcription</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="14198">
              <text>&lt;iframe width="100%" height="820" frameborder="0" src="/files/players/394-003_B.html" &gt;&lt;/iframe&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="54">
          <name>Internal Notes</name>
          <description>Notes for project team</description>
          <elementTextContainer>
            <elementText elementTextId="18841">
              <text>Edited transcript - GL 5/14/19&#13;
- [? wistful ?] -&gt; wasteful in "to the offeror to be so supremely wasteful"&#13;
- "I'll mix the [INAUDIBLE]" -&gt; "I'll make them in as"&#13;
- [? unevil ?] -&gt; unevil&#13;
Edited "wasteful" to "worthful" - GL 8/3</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview, speech, lecture, or sermon</description>
          <elementTextContainer>
            <elementText elementTextId="20609">
              <text>Marsh Chapel, Boston University, Boston, Massachussetts</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="57">
          <name>Time Period</name>
          <description>The decade in which the recording was produced.</description>
          <elementTextContainer>
            <elementText elementTextId="23067">
              <text>1960s</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Original Title</name>
          <description>Title as transcribed from tape cassette</description>
          <elementTextContainer>
            <elementText elementTextId="24056">
              <text>Disciplines of the Spirit VI: The Good and the Evil, 1960 Nov 20</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="2793">
                <text>394-003_B</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2794">
                <text>Thurman, Howard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2795">
                <text>Disciplines of the Spirit, Part 6: The Good and the Evil, 1960 November 20</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2796">
                <text>1960-11-20</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2797">
                <text>&lt;a href="http://pid.emory.edu/ark:/25593/rp8k9"&gt;MSS 394&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2798">
                <text>audio</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="2799">
                <text>&lt;a href="http://pitts.emory.edu/"&gt;Pitts Theology Library, Emory University&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13485">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/"&gt;&lt;img style="border-width:0;" src="https://i.creativecommons.org/l/by-nc/4.0/80x15.png" alt="80x15.png" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.  2019.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="20092">
                <text>GEOMETRYCOLLECTION(POINT(-7915565.7490374 5213612.6443988))</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21970">
                <text>In this sixth installment of Disciplines of the Spirit, Howard Thurman talks about commitment in the framework of good and evil. Commitment is a level of dedication that gives us structure, order, and provides a basis for integrated action in life. Commitment rises against whatever comes seeks to come between self and that which self is committed to. In this lecture, Thurman poses the question of whether there is any difference in the dynamics of the experience of commitment when the commitment is to evil as well as good. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21991">
                <text>Description by ShaCarolyn Halyard</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="141">
        <name>commitment</name>
      </tag>
      <tag tagId="144">
        <name>Good and Evil</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="7" public="1" featured="0">
    <fileContainer>
      <file fileId="359">
        <src>https://thurman.pitts.emory.edu/files/original/cdfdfe96529244d072a96e0b4d0db55b.pdf</src>
        <authentication>a0c8395c2e08b8fcea025178a88e5330</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="53">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="2810">
                    <text>Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

394-004_A.mp3
[MUSIC PLAYING]
[SINGING] [INAUDIBLE]

Pitts Theology Library
Emory University

Thou preparest a table before me in the presence of mine enemies. Thou annointest my head with
oil. My cup runneth over. Though I walk through the valley of the shadow of death, I will fear no
evil, for thou art with me. Thy rod and thy staff, they comfort me. Thou leadest me beside still
waters. Thou restoreth my soul.
It is very good to celebrate the goodness of God-- the obvious expressions of his goodness that
sustain our lives in ways that our strength could not quite do; in ways that our minds and
imaginations, even, cannot quite either comprehend or assess. It is good to celebrate the
goodness of God for the obvious manifestations of sustaining grace.

It is good to celebrate the goodness of God for those miraculous manifestations of an intent that
is more than anything that we can quite understand. The ways by which, when we have given up
hope, hope refuses to die. The times when we have exhausted all of our own efforts, and the
thing which we seek has not been found, and then in ways that dazzle the mind, the thing is
found.
The wonderful sense that sins are forgiven, when we know there is, within the grasp of our
understanding, no merit that is worthy of such a sense of relief that we have because a burden
has been lifted, and the guilt that bore us down and hounded us has lost our scent. And we have
escaped from its necessities.

It is very good to celebrate the goodness of God, even at times when we are apt to be overcome
by our own sense of evil visited upon us, even when we are most overcome by the oppressive
mismanagement of the organized life around us. It is so very good to sit together in the quietness
of the congregation, feeling the touch of each other's shoulder side by side, and know that each
of us is surrounded by the goodness, and the tenderness, and the love of God.
Oh, Sabbath rest by Galilee, oh calm of hills above, where Jesus knelt to share with thee the
silence of eternity interpreted by love, drop thy still dues of quietness till all our striving cease.
Take from our souls the strains and stress, and let our ordered lives confess the beauty of thy
peace.
[MUSIC PLAYING]
[SINGING] [INAUDIBLE]

When I polish the brazen pan, I hear a creature laugh afar in the gardens of a star. And from his
burning presence run flaming wheels of many a sun. Whoever makes a thing more bright, he is
an angel of all light. When I cleanse this earthen floor, my spirit leaps to see bright garments
trailing over it, a cleanness made by me.

1

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

Purger of all men's thoughts and ways, with labor do I sound thy praise. My work is done for
thee. Whoever makes a thing more bright, he is an angel of the light. Therefore, let me spread
abroad the beautiful cleanness of my God.

Pitts Theology Library
Emory University

As a background text, which I will not bring into the foreground, I don't think, let us listen to the
words taken from the scripture lesson. If a man slaps you on your cheek, do take it. Do
something. Turn the other one.
Now, an act is an expression of the personality. It is a deed of some sort. And if I may be
forgiven for using a word like this, there are psychosomatic acts. That is, in the presence, for
instance, of some monstrous evil, and as I contemplate the death-defying character of this
iniquity, my reaction may be in terms of protest. Not protest-- in terms of protestation, I might
say, how awful. What a terrible thing. Somebody ought to do something about it.

I let all of my energy be spent in outcry-- in protest of that kind, which gives me, quite certainly,
a feeling that now that I have done this, I have acted. I have done something.

Now, an act on my part is even a response to an action. My act is clued, as it were, by the kind of
deed to which I'm responding. Or my act moves out of the center out of which I am living
without regard to the kind of response that is demanded of me. This is very crucial, and I will
come back to it after another preliminary statement.

There is an element in all action that is irrational. That is to say, when a person acts, it means that
he has finally waited as long as he can. He has exhausted all of the possibilities of pro and con.
He has looked at, but on the other hand, and if I do this or the other. He has weighed and
balanced the thing.
He has waited until all the evidence that he can possibly wait for has come in. And then when he
decides to act, he pulls down the shades and takes the leap.

Now, this is why intellectuals find it so difficult to act. We are disciplined in weighing things.
And when you talk with an intellectual-- and I cast no aspersions on anyone when I use a remark
like that-- it's a good word.
But you see, with the trained mind, we are so disciplined in weighing evidence and then
weighting-- W-E-I-G-H-T-I-N-G-- evidence because we do not want to act irrationally. We do
not want to act out of some sort of emotion. We want to be deliberate.

Now, this is good. But you see, there is something in the mechanics of the intellectual's approach
to life that tends to make him inactive and therefore ineffective because you see, if he takes a
side, he may be prejudiced, you see. And if he's an intellectual, he cannot be prejudiced. He has
to be open-minded, even though some minds that are open perhaps have should be closed awhile
for repairs.

But nevertheless, as long as we insist that the mind must be open all the time, before there's any
action, then this paralyzes action because when I act, it means that in that moment, I have made a
decision. I have taken a side. Have taken a stand in the light of all the data that I could wait for.

2

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

And I hope, you see, that in the light of my act, that each subsequent day will validate the action.
But it may not. Here again, I made thee in error. Every act, then, has as its companion error,
misjudgment a certain element that even may be false.

Pitts Theology Library
Emory University

Now all of this, I take into account when I act. And I hope, you'll see, that all of the new
experience will confirm the validity of the action that I have taken in the light of my accessing of
all of my experience up to date.
Now, if I'm lazy as to my mind, or if I am so full of anxiety, or fear, or [INAUDIBLE], that I
refrain from taking into account all of the available data in the light of which I want to make up
my mind, then the chances of my error are greatly multiplied. My responsibility, therefore, is to
act not only out of the best judgment that I have, but my responsibility is to act out of the center
out of which I live so that with my act will go the commitment of my life.

My life backs my act if my act springs out of the center out of which I live. But if my act springs
out of how I react to your act, if you-- and I think this is the insight that the Master's working on
here, much of which I do not understand, so I will not pretend anything. If a man is angry with
you, and you react to him out of his anger exercised towards you, then it means that you may be
reacting to him out of something other than your center. And the initiative over your own act is
now given up into the hands of someone else.

If, for instance, you and I are competitors, and the competition as we move down to the line is
pretty close, as was the last election, for instance-- just so that you would know what I mean-- if
I knew what I could say to you-- now, listen very carefully. If I knew what I could say to you
that would make you react not out of your center but out of your anger, out of your temper, then I
would know that if my center was in competition with your center, and I could make you react
out of something other than your center, I could defeat you.
Any person who is able to determine how you feel on the inside has in his hands your thermostat.
And all he needs to do is to manipulate it and give you a temperature. And when he does, you are
at his mercy. This is what the old saying means that, those whom the gods would destroy, they
first make mad because then they start reacting to life out of something other than the core out of
which they live.
Now, the discipline of act is to brood over all of the manifestations of my deeds, bringing them
more and more in line with the central center and commitment of my life so that there will be, in
the act, the integrity of the self.
Now, when you do this-- when you do it-- it means then that you take the responsibility for your
reactions to all the things that happen to you-- not only your responsibility for your actions,
which you initiate, but your responsibility for your reaction to the things that are initiated in
other people. And these things move towards you. And when they do, you must deal with them.
And you may deal with them on their own terms, or you may deal with them in terms of the
center out of which you live and move and think.
Now, if I may illustrate it very simply, in the conversation that I had some 25 years ago, when I
was in India-- a conversation with Mr. Gandhi-- and I asked him a very simple question at the

3

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

end of our talks. How did it happen that all of your activities-- on behalf of nonparticipation, so
forth, on behalf of ahimsa-- why did all of these activities fail of their objective?

Pitts Theology Library
Emory University

And his answer, briefly, was this-- that a creative idea such as ahimsa-- or non-cooperation, or
nonviolence, or whatever that would we wish to use-- is dependent, as far as masses of people
are concerned, upon the way in which each individual is able to react to this ethical demand. And
I've found that it is getting out of hand, and so I had to demonstrate what I meant by acting out of
your center.
And he said, the first thing I did was to adopt into my family an untouchable. I'm a caste Hindu,
he said, but I adopted into my family an untouchable girl. And I said to all caste Hindus, this is
what I mean by the act that I've been talking about. And the second thing I did-- I changed the
name. I redefined the character, in terms of the name, you see, of the untouchables.

This is what we do during war. This is what he did. During war, we give the country against
which we are fighting a different name. We give them a name that reads them out of the human
race. Now once we give them such a name, then we can do anything to them we wish to without
any moral violence to ourselves.

This is convenient. That's why some people cannot tell you what they think of you until they lose
their temper. Then, you see, they do not have moral responsibility for the act.
Now, so he said, I will do just the opposite. I will call the untouchables not untouchables not
sutras, but I will call them harijens. Now, harijens is a combination Hindi word which means
child of God.

Now he said, if I call them a child of God, then every time a caste Hindu refers to an untouchable
as a child of God, if he keep this up, finally, there will be created within him the kind of moral
crisis that cannot be altered until he changes his attitude towards them in keeping with this new
shift, even in terminology.
Now, he said, if this happens, then the first step on the road to peace in our land will be that the
untouchable, in the light of the thing that he just described, would become a member of good
standing in Hinduism so that no longer will the shadow of an untouchable that falls across the
road on which a temple resides will contaminate it, and so forth and so on.

Now, all of this is to say that the discipline of the act comes in the degree to which the individual
is able to bring the judgment of his innermost center to bear upon the deed which he performed.
Are you deeds out of character as far as the core out of which you live? Or are they in character?
If a man slaps you on one cheek, don't take it lying down and acquiescent like some craven
thing. No. Keep the initiative in your own spirit. Turn the other cheek. Do something.

And in so doing, you force him to compete with your intent because you refuse to compete with
his deeds. And this is the difference. It is no easy way, and I do not pretend to understand all that
it means or its ramifications. But this is the commitment of the human being of good will in this
year our Lord 1960.

4

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

Forgive us, our Father, for then sins which we muster and accumulate like a great shadow
obscuring thy vision from our spirits. Walk beside us as we journey and as we separate one from
the other. And grant unto us thy peace, for this, above all else, oh God, we need, or we perish.

Pitts Theology Library
Emory University

[MUSIC PLAYING]

5

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="31">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="20746">
                  <text>Disciplines of the Spirit (1960, Marsh Chapel, Boston University, Boston, MA)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="22035">
                  <text>In this 8-part series, Thurman discusses a variety of topics related to the disciplines of the spirit, including growth, personal stability, commitment, dedication, actions, dualism, and redemption.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24080">
                  <text>1960</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24087">
                  <text>Descriptions by ShaCarolyn Halyard</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>AudioWithTranscription</name>
      <description>Audio that is shown through the 3Play Media embedded interactive transcript</description>
      <elementContainer>
        <element elementId="52">
          <name>Audio with Transcription</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="14199">
              <text>&lt;iframe width="100%" height="820" frameborder="0" src="/files/players/394-004_A.html" &gt;&lt;/iframe&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview, speech, lecture, or sermon</description>
          <elementTextContainer>
            <elementText elementTextId="20610">
              <text>Marsh Chapel, Boston University, Boston, Massachussetts</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="57">
          <name>Time Period</name>
          <description>The decade in which the recording was produced.</description>
          <elementTextContainer>
            <elementText elementTextId="23068">
              <text>1960s</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Original Title</name>
          <description>Title as transcribed from tape cassette</description>
          <elementTextContainer>
            <elementText elementTextId="24057">
              <text>Disciplines of the Spirit VII: The Discipline of the Act, 1960 Nov 27</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="2802">
                <text>394-004_A</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2803">
                <text>Thurman, Howard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2804">
                <text>Disciplines of the Spirit, Part 7: The Discipline of the Act, 1960 November 27</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2805">
                <text>1960-11-27</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2806">
                <text>&lt;a href="http://pid.emory.edu/ark:/25593/rp8k9"&gt;MSS 394&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2807">
                <text>audio</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="2808">
                <text>&lt;a href="http://pitts.emory.edu/"&gt;Pitts Theology Library, Emory University&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13486">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/"&gt;&lt;img style="border-width:0;" src="https://i.creativecommons.org/l/by-nc/4.0/80x15.png" alt="80x15.png" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.  2019.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="20093">
                <text>GEOMETRYCOLLECTION(POINT(-7915565.7490374 5213612.6443988))</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21971">
                <text>In this seventh lecture in the Discipline of the Spirit series, Thurman uses Matthew 5:39 as a framework for discipline as it relates to our decision to act. Thurman reminds listeners of the responsibility to act or react in integrity centered around core values as we are responsible for the actions we initiate as well as the reactions we initiate in other people. One must always be careful when deciding to act lest our deeds are out of character with our core beliefs. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21992">
                <text>Description by ShaCarolyn Halyard</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="40">
        <name>action</name>
      </tag>
      <tag tagId="60">
        <name>choice</name>
      </tag>
      <tag tagId="10">
        <name>dilemma</name>
      </tag>
      <tag tagId="12">
        <name>discipline</name>
      </tag>
      <tag tagId="97">
        <name>forgiveness</name>
      </tag>
      <tag tagId="55">
        <name>Ghandi</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="8" public="1" featured="0">
    <fileContainer>
      <file fileId="360">
        <src>https://thurman.pitts.emory.edu/files/original/fee4ceb17ff4a21472e529defad9b956.pdf</src>
        <authentication>05a3be6f7e2f3cd2dfe248debc8fbec8</authentication>
        <elementSetContainer>
          <elementSet elementSetId="4">
            <name>PDF Text</name>
            <description/>
            <elementContainer>
              <element elementId="53">
                <name>Text</name>
                <description/>
                <elementTextContainer>
                  <elementText elementTextId="2819">
                    <text>Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

394-004_B.mp3
[ORGAN MUSIC]

Pitts Theology Library
Emory University

[CHOIR SINGING]
(SINGING) [INAUDIBLE]

It is one of the very special graces of life that each of us can rely upon his own strength to do so
many things for ourselves and for others. The quiet sense of assurance and independence is so
strengthening to the heart and to the spirit.
Sometimes our experience of self-confidence is so overwhelming that we forget the limitations
by which our lives are surrounded. There are so many things of which we are heirs that are not
the result of any act of our own, any wisdom which we have distilled, any kind of knowledge
which has been vouchsafed to our minds.

Always we are surrounded by so much more than what we are, so much more wisdom, so much
more understanding, so much more knowledge, so much more caring, so much more love, so
much more mercy, that as we remember this, in the quietness of this place, in the midst of the
worshippers of God, we find new tongues of praise to give to thee, oh God, for thy brooding
care, beyond which, despite arrogance and pride and independence and self-confidence, we
cannot drift.

Gather then unto thyself, oh God, these spirits of ours, that they may come to themselves in thee.
And this, this will suffice. This will suffice even us, oh God, God of our spirit.
[ORGAN MUSIC]

I'm reading a contemporary poem as a picture of feeling tone that I would like to have you sense,
as we think together about two implications from this, the what is perhaps the greatest poem of
the 19th century, Goethe's Faust. A sparrow who lived in the eaves of a church, and whose ideas
were somewhat erratic, met a pigeon one day from a church o'er the way whose opinions were
very dogmatic.
They stopped in their search for a mid-day repast, and in hunting they both were astute. And I
hate to relate they engaged in debate that led to a frightful dispute. Quoth the pigeon, I hold the
theological views considered both learned and wise, so without more delay, I will show you
today the only straight road to the skies.

Said the sparrow, your effort will be unrepaid, for I follow a different road. And it causes me
grief to hear your belief in such a ridiculous code. Then without more ado, I am sorry to say, they
are engaged in a battle most gory till each was bereft of his sense and his breath. And the curtain
here falls on their story.
Now, a strange little bird from a blossoming tree had witnessed the scene with surprise. Then
with unfettered wing and a heart that could sing, he took the straight road to the skies. We have

1

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

been thinking for some days now about the meaning and the significance of commitment as a
discipline of the spirit.

Pitts Theology Library
Emory University

Today, we are thinking about the bearing of certain of the insights that we have explored
together on this very moving and significant expression of the creative genius of man's mind.
Faust, Goethe's Faust. The scene is somewhat like the scene at the beginning of the Book of Job.
There is the conclave, which is called by the creator of the universe, by God, and in Faust, the
heavenly chorus, the angels are singing their praises to God because He is God, and the world is
good, and life is good and whole and complete.
But there is one person present, and this is very interesting to me. This person, the prince of
darkness, Mephistopheles-- it's an interesting-sounding name, isn't it? Well, anyway,
Mephistopheles is the prince of darkness, but he is a part of the conclave. Now, this is very
interesting.

He is a member of the conclave in good standing. Thus says, in the prologue to Job, Satan is one
of the members of the family. The principle of dualism that perhaps has done so much damage in
some of its aspects to the religious thought and the religious experience structured by the
religious thought of mankind is not present here.
So Mephisto, or Mephistopheles, says, I won't join in this chorus because I'm too honest. I'm a
realist. I know that this flight isn't quite like these angels are saying. They are out of touch with
reality. So then he has a conversation with God. God says, is what you're saying really true? Do
you think that creation is bad, that life is out of joint in some of those aspects? Have you thought
about Faust? Have you reviewed him? Have you encountered him? Have you taken him into
account?
And so they strike a bargain. The tendency to bargain is so universal, and in this instance, it
seems cosmic. At any rate, they strike a bargain. You can do anything to Faust if you wish, but
you cannot take his life. And that's all Mephistopheles wants. He's sure he can handle the rest.
Then the scene changes, and Faust is seated in his library. And he's come to the end of his rope.
He has exhausted all knowledge.

As it seems to him, he has explored everything. He is universally admired, because through his
alchemy or through his medicine and through his insights, he's been able to administer to human
need and the response of the healed body is so overwhelming that the mind bows before the man
who is able to bring such healing and to be and experience. So this does not satisfy him. He says
that he has tried all of these things.
Let me read what he says. He's tried all of these things, but everything fails me. Everything.
These instruments, do they not all mock me? Lathe, cylinder, ring, and cog and wheel? In vain I
call on you for aid, you keys of science. I stand before the guarded door of nature, but it bids
defiance to latch or ward. Mysterious in the blaze of day, nature pursues her tranquil way. The
veil she wears, if hand profane should seek to raise, it seeks in vain.
Go, wondrous creature, mount where science guides. Instruct the planets in which orbs to run.
State the tides and regulate the sun. Then drop into thyself and be a fool. This is what he

2

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

discovered. So, he says, since I have exhausted all of the meaning of life and I come back to the
starting place every time, the living of life is no good. I shall now apply my knowledge to selfdestruction.

Pitts Theology Library
Emory University

He lifts the goblet of poison to drink. Then in the church, hard by his studio and laboratory, he
hears a choir singing Easter hymns, and these hymns, one of the hymns reminds him of the early
religious experiences of his childhood. And as he is carried back into that kind of experience, he
is saved from self-destruction.

This I cannot refrain from commenting as I go along. I don't want to do this too much, but what a
wonderfully tragic thing it is, almost criminal, I think, in my judgment at any rate. If those who
have children deny their children the experiences as they grow up of the distilled religious
experience and wisdom of the race, whatever may be the mature judgment of the parent with
reference to whether or not there is any meaning in this religion or not, no parent has the right to
make that kind of choice for his child, for the child must have as his heritage the cumulative
wisdom of the race. And this moment in the life of Faust underscores the meaning of what I'm
saying. So he goes on.
The scene changes again, and Mephistopheles enters, and he says, all the things that you want I
can give you if you will enter into a little bargain with me. If you will give your soul to me so
that you will be my servant and my slave when you die, after death, I will be your servant and
your slave while you are alive. Well, Faust is sophisticated. The only life he knows, he says, is
the life that we have now.

And tomorrow, beyond the grave, that may be a fiction anyway. When a man dies, he is dead. So
I will promise anything for after death, because death is something that happens to life. And if
death is something that happens to life, then death ends life. So he signed up, and now the
transformation takes place. He loses his old age. He loses his disillusionment.
He becomes young and full of vigor and vitality, enthusiasm, good looks, money I suppose. He
has everything. And he and Mephistopheles go out to experience life, to open up the bowels of
sensation until they can contain all of the meaning of existence. This is what he thinks. And they
go, they meet at a friend's house, Martha's house, Marguerite, who represents innocence and
wholeness, the essence of Catholic piety and devotion, tender, gentle.
And when she meets this ambulating essence of sophistication, she just capitulates.
[LAUGHTER]

Is there anything she can do? He gives her jewelry. He gives her all kinds of things that she did
not dream that anybody possessed, not only that she would ever possess them. And he sweeps
her off her feet and takes her into the depths of degradation and shame, always holding before
her the glittering promise of a kind of fulfillment which identification with him would give to
her, knowing all the time that more and more as he explores more deeply and more deeply into
the experience of sensation, that this cannot meet an ultimate hunger which he has.

And then he leaves her skinned and cast down like a sheep without a shepherd. And her brother,
Valentine, wishes to wreak his vengeance upon a man who has destroyed his sister. So Faust

3

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

encounters him in a duel and kills him. Now, he adds this sense of shame, which he has, adds to
that murder. And there's a stirring in him, but he still cannot recognize it fully.

Pitts Theology Library
Emory University

And then he and Mephistopheles have a rendezvous at the place where the 1st of May every
year, the prince of darkness has his magic festival. And here you can see the pristine fulfillment
of all the meaning of the lesser levels of existence blown up so that they seem to be all that
existence holds. And in the midst of this festivity, Faust sees the face of Marguerite, and then he
is thrown into the arms of a wrestle with what remains of his conscience.

And he begs Mephisto to take him back to see Marguerite. And they go to visit her in her cell,
she is so deranged that she hardly recognizes him. She is now condemned to death because she
has taken the life of her baby. And Faust begs her to go with him, but go where? She's been with
him everywhere. And just at that moment, the face of Mephistopheles appears, and then
Marguerite dies asking forgiveness of heaven. And the chorus says she's shamed. 30 years
separate part one from part two.
And in part two, Faust also finds his redemption. Now, that's the story in bold, audacious
outlines. Now, let's look a little. The fundamental question that has bearing on my concern is are
the contradictions of life final? This is the heart of the issue in my mind. That is to say, if the
contradictions of life are final, are ultimate, if there is an ultimate division that marks the
boundary of goodness and the boundary of evil, then it is possible for an individual to make as
his absolute commitment, his life, his thought, his everything, to evil.

And it will follow as a series of creative or less creative derivatives from this central
commitment to evil, all of the developments of significance and meaning that this kind of
commitment can give. In other words, a man once committed to evil, if the ultimate contradiction
holds, you see, mark what I'm saying, if the ultimate contradiction holds that a man who thus
commits himself to evil will do the evil with the kind of utter abandonment and abiding
enthusiasm with decreasing sense of any awareness of the fact that the evil is evil, it represents a
final choice that the individual makes.
But the contradictions in life are not final, are not ultimate, then it would follow that a man
cannot make a total and fundamental and complete commitment to evil. It seems in the
development of this point that Faust made his fundamental commitment to the power of
darkness. And then in the 30-year interval between the writing of part one and part two, Goethe
comes to a new insight, that this cannot be so, because Faust has to be redeemed.
And why must Faust be redeemed? Because the Creator of life, the Creator of existence, the
Creator of Faust is Himself righteous. And whatever there is in all the annals of existence that
can hold out finally against God must be regarded as being equal to God. Never yielding,
surrendering more and more, exploring all possibilities of wandering may be done in human
experience. Not of necessity, but may be done.

But at long last, at long last, nothing can hold out against God. I wonder if you believe that. I
wonder. Now, it suggests one other little footnote, because I've said the heart of what I wanted to
say. One little footnote, and that is that we must not be deceived by the fact that what we
experience in time and space is limited, is limited to time and space. Now what do I mean by
this?

4

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

Pitts Theology Library
Emory University

That life as we live it, life as we experience it, as sentient creatures, cannot quite be measured in
terms of the time interval that extends from the date of our birth to the time of our dying, that
there is a dimension of life that transcends the time interval of a person's living so that every
experience of man, even the experiences of the mind or the experiences of the senses or the
experiences of the spirit to make these fictitious divisions of personality, is contained in that
which transcends the experience.
Now, this has very important bearing on death, as I think of it. One of the reasons why all
religions, all religions that are good religions, whatever may be the content of the creed, all
religion that are good religions ultimately know that they cannot address themselves to the
ultimate demands of the human spirit unless they deal in some way with the question of death,
because what death says, always, that there is no future. This is what death means, the cessation
of future.

Now, therefore, any religion that has to do with the meaning of life and the meaning of man's
experience has to make that hurdle. It has to answer the question for man. Is there any way by
which the future may be guaranteed to me? So all the doctrines which have to do with eternal life
and salvation ultimately speak to this point and to this issue.
Now, what do they say essentially? That death is episodic, that death is an event in the
experience of a living person. But the life is not measured by the time interval that death marks.
So in the imagery in which they give about heaven, about hell, all these, these images, these
insights have to do with the continuation of a man's life. And death is just one of the incidents in
connection with this.

Now, if that is true, then it says, you see, that there is a dimension of the human spirit that stands
outside of all of the events through which the individual life may be passing. Now, we see this in
many ways, and I'll hurry through this. We see this in many ways. There is no event which you
ever perform that quite contains all that you mean or that you are. If I ask you very quickly, and
I'll select one incident in your life that represents you completely, which one would you select?
You select one and before the words die, you would say, oh, no, but there's some part of me
that's left out. So you come with another one. Now, always, you are an observer of yourself, as a
participant in what you are doing. This dual dimension always, you the observer, you the
participant. Now, there is a sense in which you, the observer, is never involved in whatever may
be the events of your life. And death is one of these.
And I think that's why a man may be very aware of the fact that he is dying right up to the end,
because some aspect, some crucial, transcending, time-binding aspect of his personality is not
involved in this. And I think this is the God in him. And the degree to which a man is aware of
this-- he knows that the contradictions of life, however terrifying and overwhelming, are never
final.

Beyond the tempest and the struggle, there is a movement of the Creator, brooding over all the
stuff of man's experience, informing it more and more and more of the quality of Itself. Heir of
the kingdom 'neath the skies, often he falls yet falls to rise, stumbling, bleeding, beaten back,
holding still to the upward track, playing his part in creation's plan, godlike in image. This is
man. This is man. This is man.

5

�Pitts Theology Library

The Howard Thurman Digital Archive
Transcription

thurman.pitts.emory.edu

And I thank God with all the heart that I can get that it is so. Take the weak word, the great
inadequacy of mind. Fill them with thy glory, oh God, that the truth may live even though error
may abound. Walk beside us as we separate, and lead us not alone to the strength of our own
minds.

Pitts Theology Library
Emory University

[ORGAN MUSIC]
[CHOIR SINGING]
(SINGING) Amen. Amen.

6

�</text>
                  </elementText>
                </elementTextContainer>
              </element>
            </elementContainer>
          </elementSet>
        </elementSetContainer>
      </file>
    </fileContainer>
    <collection collectionId="31">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="20746">
                  <text>Disciplines of the Spirit (1960, Marsh Chapel, Boston University, Boston, MA)</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="41">
              <name>Description</name>
              <description>An account of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="22035">
                  <text>In this 8-part series, Thurman discusses a variety of topics related to the disciplines of the spirit, including growth, personal stability, commitment, dedication, actions, dualism, and redemption.</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24080">
                  <text>1960</text>
                </elementText>
              </elementTextContainer>
            </element>
            <element elementId="37">
              <name>Contributor</name>
              <description>An entity responsible for making contributions to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="24087">
                  <text>Descriptions by ShaCarolyn Halyard</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>AudioWithTranscription</name>
      <description>Audio that is shown through the 3Play Media embedded interactive transcript</description>
      <elementContainer>
        <element elementId="52">
          <name>Audio with Transcription</name>
          <description/>
          <elementTextContainer>
            <elementText elementTextId="14200">
              <text>&lt;iframe width="100%" height="820" frameborder="0" src="/files/players/394-004_B.html" &gt;&lt;/iframe&gt;</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="4">
          <name>Location</name>
          <description>The location of the interview, speech, lecture, or sermon</description>
          <elementTextContainer>
            <elementText elementTextId="20611">
              <text>Marsh Chapel, Boston University, Boston, Massachussetts</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="57">
          <name>Time Period</name>
          <description>The decade in which the recording was produced.</description>
          <elementTextContainer>
            <elementText elementTextId="23069">
              <text>1960s</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="56">
          <name>Original Title</name>
          <description>Title as transcribed from tape cassette</description>
          <elementTextContainer>
            <elementText elementTextId="24058">
              <text>Disciplines of the Spirit VIII, 1960 Dec 4</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="2811">
                <text>394-004_B</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2812">
                <text>Thurman, Howard</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2813">
                <text>Disciplines of the Spirit, Part 8: Faust, 1960 December 4</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2814">
                <text>1960-12-04</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="2815">
                <text>&lt;a href="http://pid.emory.edu/ark:/25593/rp8k9"&gt;MSS 394&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2816">
                <text>audio</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="2817">
                <text>&lt;a href="http://pitts.emory.edu/"&gt;Pitts Theology Library, Emory University&lt;/a&gt;</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="13487">
                <text>&lt;a href="http://creativecommons.org/licenses/by-nc/4.0/"&gt;&lt;img style="border-width:0;" src="https://i.creativecommons.org/l/by-nc/4.0/80x15.png" alt="80x15.png" /&gt;&lt;/a&gt;&lt;br /&gt;This work is licensed under a &lt;a href="http://creativecommons.org/licenses/by-nc/4.0/"&gt;Creative Commons Attribution-NonCommercial 4.0 International License&lt;/a&gt;.  2019.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="20094">
                <text>GEOMETRYCOLLECTION(POINT(-7915565.7490374 5213612.6443988))</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21972">
                <text>In this eighth installment of the Discipline of the Spirit, Howard Thurman uses Goethe's Faust to set the tone as he discusses the principles of dualism and redemption. Thurman goes on to discuss whether our contradictions in life are final considering the righteousness of God. The movement of the creator through the experience of man is also discussed. &#13;
&#13;
</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="21993">
                <text>Description by ShaCarolyn Halyard</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="148">
        <name>contradiction</name>
      </tag>
      <tag tagId="145">
        <name>dualism</name>
      </tag>
      <tag tagId="29">
        <name>experience</name>
      </tag>
      <tag tagId="147">
        <name>Goethe</name>
      </tag>
      <tag tagId="146">
        <name>redemption</name>
      </tag>
    </tagContainer>
  </item>
</itemContainer>
